Transcription by Kate Atkinson -- BOOK BEGINNINGS

 

BOOK BEGINNINGS ON FRIDAYS

Transcription by Kate Atkinson

Thank you for joining me this week for Book Beginnings on Fridays where participants share the opening sentence (or two) from the book they are reading. You can also share from a book you want to feature, even if you are not reading it at the moment. 

MY BOOK BEGINNING

"Miss Armstrong! Miss Armstrong! Can you hear me?".

-- from Transcription by Kate Atkinson.

Transcription came out in 2019 and sat unread on my shelf until last week. I regret not reading it immediately because I loved it. 

It is the story of a young woman who gets recruited during WWII to work for MI5. After the war, she goes to work for the BBC, but her past intrudes on her new life. Atkinson tells the exciting, comlpicated story with her usual charm and subtle humor. 

YOUR BOOK BEGINNING

Please add the link to your book beginning post in the linky box below. If you participate or share on social media, please use the hashtag #bookbeginnings so other people can find your post.

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THE FRIDAY 56

The Friday 56 asks participants to share a two-sentence teaser from their book of the week. If your book is an ebook or audiobook, pick a teaser from the 56% point. 

Anna at My Head is Full of Books hosts The Friday 56, a natural tie-in with Book Beginnings on Fridays. Please visit My Head is Full of Books to leave the link to your post. 

MY FRIDAY 56

-- from Transcription:

Nor did they have any idea that Godfrey Toby worked for MI5 and was not the Gestapo agent to whom they thought they were bringing traitorous information. And they would have been very surprised to know that the following day a girl sat at a big Imperial typewriter in the flat next door and transcribed those traitorous conversations, one top copy and two carbons at a time.

FROM THE PUBLISHER'S DESCRIPTION

In 1940, eighteen-year old Juliet Armstrong is reluctantly recruited into the world of espionage. Sent to an obscure department of MI5 tasked with monitoring the comings and goings of British Fascist sympathizers, she discovers the work to be by turns both tedious and terrifying. But after the war has ended, she presumes the events of those years have been relegated to the past forever.

Ten years later, now a radio producer at the BBC, Juliet is unexpectedly confronted by figures from her past. A different war is being fought now, on a different battleground, but Juliet finds herself once more under threat. A bill of reckoning is due, and she finally begins to realize that there is no action without consequence.