Friday, October 19, 2018

Book Beginning: The Towers of Trebizond

BOOK BEGINNINGS ON FRIDAYS

THANKS FOR JOINING ME ON FRIDAYS FOR BOOK BEGINNING FUN!

Thanks for your patience! I thought I had a post scheduled and apparently I didn't. Operator error!

MY BOOK BEGINNING



"Take my camel, dear," said my aunt Dot, as she climbed down from this animal on her return from High Mass.

The Towers of Trebizond by Rose McCaulay. I've been looking forward to this comedy classic for a long time!




Please join me every Friday to share the first sentence (or so) of the book you are reading, along with your initial thoughts about the sentence, impressions of the book, or anything else the opener inspires. Please remember to include the title of the book and the author’s name.

EARLY BIRDS & SLOWPOKES: This weekly post goes up Thursday evening for those who like to get their posts up and linked early on. But feel free to add a link all week.

FACEBOOK: Rose City Reader has a Facebook page where I post about new and favorite books, book events, and other bookish tidbits, as well as link to blog posts. I'd love a "Like" on the page! You can go to the page here to Like it. I am happy to Like you back if you have a blog or professional Facebook page, so please leave a comment with a link and I will find you.

TWITTER, ETC: If you are on Twitter, Instagram, Google+, or other social media, please post using the hash tag #BookBeginnings. I try to follow all Book  Beginnings participants on whatever interweb sites you are on, so please let me know if I have missed any and I will catch up.

TIE IN: The Friday 56 hosted by Freda's Voice is a natural tie in with this event and there is a lot of cross over, so many people combine the two. The idea is to post a teaser from page 56 of the book you are reading and share a link to your post. Find details and the Linky for your Friday 56 post on Freda’s Voice.

YOUR BOOK BEGINNING






Tuesday, October 16, 2018

Teaser Tuesday: The Book of Dirt by Bram Presser



With the occupation had come a shift in the atmosphere of Biskupcova Street. Eyes no longer met, trust was undermined.

-- The Book of Dirt by Bram Presser. Australian author Bram Presser creates his grandparents' Holocaust story out of family history, imagination, old photographs, and ephemera in this heart-warming first novel.



Teaser Tuesdays is hosted by The Purple Booker, where you can find the official rules for this weekly event.

Monday, October 15, 2018

Mailbox Monday: Art & Thrillers

Two completely different books came into my house last week: a new art book and a new thriller.


-- Mary Chomenko Hinckley: Material Evolution. Mary’s blue coyote looks pretty awesome prowling the urban forest of my front yard!

PORTLAND EVENT TONIGHT: Mary will be “in conversation” with Paul J. Karlstrom, discussing Art in the Era of Artificial Intelligence: “An exploration of the imposition of technology on nature and the artist’s response.”

⭐️ PNCA - Pacific Northwest College of Art: TONIGHT, October 15, 2018 at 6:00 PM





-- Absolute Proof by Peter James. In a break from his Roy Grace police series, this Dan Brown-like "code" thriller has the hero chasing clues to find absolute proof of the existence of God.

I'm listening to the audiobook read by Hugh Bonneville and he makes the story come alive.





Thanks for joining me for Mailbox Monday, a weekly "show & tell" blog event where participants share the books they acquired the week before. Visit the Mailbox Monday website to find links to all the participants' posts and read more about Books that Caught our Eye.

Mailbox Monday is graciously hosted by Leslie of Under My Apple Tree, Serena of Savvy Verse & Wit, and Martha of Reviews by Martha's Bookshelf.

Saturday, October 13, 2018

Author Interview: Bram Presser


Australian author Bram Presser's new novel creates his grandparents' Holocaust story out of family history, imagination, old photographs, and ephemera.


Bram recently answered questions for Rose City Reader about his new book, Holocaust memory, and writing in general.

How did you come to write The Book of Dirt?

My grandparents never spoke about their Holocaust experiences so, growing up, we constructed comfortable narratives around their survival. A few years after they died, a newspaper article was published claiming that my grandfather had been selected by the Nazis to be the literary curator of Hitler’s Museum of the Extinct Race. I became obsessed by this story, and by the realization of how little I actually knew about a man who I had loved so deeply, so I set off to find out what had actually happened. From there it spiraled out of control in the most intriguing possible way.

Your book is called a novel, but reads in part like memoir and uses historical documents. How much is your family’s actual history and how much is fiction?

That’s a difficult question to answer. The book is essentially the story of my search to find their stories set against a reimagining of what happened. I’d say the search narrative is almost exactly as I experienced it, except for some minor changes for timescale and the like, plus one major invention to set up the whole dirt part of the book. The reimagining is probably more historically accurate than I had first thought, given that it is built on documents, photos, records and stories I was told. So, it is a dramatization of either what happened, or my best guess based on the evidence. But there is also a strong magical realist thread that weaves its way through the story and that is pure creative license. I am really enamored of Czech and Jewish myth and legend, as well as the fable as a storytelling device, so it was inevitable that they would make a strong showing in whatever I write. Also, I found that writing my family as fictional characters gave me a stronger sense of who they were and how their experiences might have actually felt. There is an essential truth in fiction that I wanted to find that a simple historical excavation could not possibly provide.

How did you choose the title?

I came up with it very early on in the process. After reading the newspaper article, I was struck by the idea of my grandfather finding a hollowed-out book with a pile of dirt inside that might have been the golem’s heart. So initially the title was literal. As I dug deeper, travelling the world, collecting whispers, anecdotes, documents, even gossip – a lot of it what we would colloquially call “dirt” – it seemed even more appropriate. Moreover, the golem seemed the perfect metaphor for writing about my grandparents (or anyone you’ve known and loved) – the idea that I was creating them from the clay of evidence and breathing life back into them with words.

Who is your intended audience and what do you hope your readers will take away from your book?

I hope anyone interested in memory, identity and the way we tell stories will find something in it to engage and challenge them. Although it is set in the context of the Holocaust, I don’t think of it as a Holocaust book. It’s more about how we much we can really know the people we love, and the way in which we recreate their lives every time we think about them.

Your use of black and white photographs and ephemera throughout the book remind me of Austerlitz by W. G. Sebald, another novel about the search for family taken to the Theresienstadt concentration camp. Were you inspired by Sebald?

Yes and no. My greatest inspiration, stylistically, was the Croatian novelist Daša Drndić who came to be a mentor of sorts through the writing of The Book of Dirt. Sebald is the gold standard for documentary fiction and helped me to understand the use of image and object as a narrative device but Drndić takes it to an almost hyper level in her novel Trieste. Reading that was my lightbulb moment when I realized how this story ought to be told. It’s interesting that you mention Austerlitz, though, because recognizing the similarities in style and the Theresienstadt angle, I actually had to consciously ensure that they weren’t too alike, especially given that we were working from a lot of the same source material.

What did you learn from writing your book – either about the subject of the book or the writing process – that most surprised you?

Working on this book, I found myself regularly surprised by what I found. Understanding the camps as more than just death factories, but places where people made lives in horrific circumstances, and built tight, often transient communities was quite inspirational. On a personal level, learning that my great grandmother, Františka (my grandmother’s mother), who I knew when I was a kid – she was a tiny, crumpled old Czech woman – was an incredible hero who risked everything to keep her family alive just blew me away. She was a convert, so she wasn’t taken to the camps, and she did so many incredible things from back in Prague to make sure her daughters survived. I set out to write about my grandfather, but it was Františka that stole my heart and really became the focus of the book.

What do you think people today can learn from the stories of Holocaust survivors?

Decency, humanity, resilience, courage, the importance of fighting for what is right and nipping intolerance in the bud. The understanding that perfectly functional societies can devolve into murderous dysfunction (or hyper-function), that perfectly ordinary people can do terrible things, that hatred and division can lead to catastrophe.

Do you think it is important to keep Holocaust memory alive and why?

Absolutely. Ever more so at the moment, where violent division seems to be the political norm across the globe. We’re only seventy-five years on, and so many of what I’d have hoped were the lessons of the Holocaust seem to have been thrown by the wayside. Hatred and scapegoating is being normalized. It feels as if we’re already on the path of the famous “First they came for the socialists…” poem. Now is the time to stand up and fight against the tide of fascist populism.

Who are your three (or four or five) favorite authors? Is your own writing influenced by the authors you read?

Wow, where to begin? I’d probably give you a different answer every time you asked me, but today I’ll say Franz Kafka, Jesse Ball, JM Coetzee, Magda Szabo and Daša Drndić. I’m not sure how overtly they influence me, but it’s hard not to at least want to write the kind of book you like reading, which will be informed by those authors you love most. Oh, except Drndić. She absolutely influenced me.

What kind of books do you like to read? What are you reading now?

I tend to mostly read difficult, surreal literary fiction. I like to be challenged, both intellectually and morally, by what I read. I also love books that dare to experiment with form, that try something new, even if it doesn’t necessarily work. Then there’s my predilection for what I call “literary sorbet,” books that I can just devour without thinking too much, just for the fun of it.

At the moment I’m reading Rachel Kadish’s The Weight of Ink and Olga Tokarczuk’s Drive Your Plows Over the Bones of the Dead.

What is the most valuable advice you’ve been given as an author?

No book is ever finished, just published. Be prepared to let it go.

What’s next? What project are you working on now?

I have a few books on the go, though haven’t committed to any of them yet as the project. Two are stylistically similar to The Book of Dirt in that they are based around true events and blur the fact/fiction divide. Then I have a linked series of speculative fiction novellas. And a kids’ book. But after spending eight years working on The Book of Dirt I’m mostly enjoying just taking a bit of a break and being a stay-at-home dad to my eighteen-month-old daughter. Just quietly, it’s way better than writing.


THANKS BRAM!

THE BOOK OF DIRT IS AVAILABLE ONLINE, OR ASK YOUR LOCAL BOOK SELLER TO ORDER IT!


Thursday, October 11, 2018

Book Beginning: A Deadly Wind: The 1962 Columbus Day Storm by John Dodge

BOOK BEGINNINGS ON FRIDAYS

THANKS FOR JOINING ME ON FRIDAYS FOR BOOK BEGINNING FUN!

MY BOOK BEGINNING



An unexpected phone call and a blog post ten days later from a well-known Pacific Northwest weather scientist became the two key ingredients that motivated me to write this book on the deadly 1962 Columbus Day storm.

-- from the author's Preface to A Deadly Wind: The 1962 Columbus Day Storm by John Dodge.

On October 12, 1962, a windstorm slammed the Pacific Northwest coast, with wind gusts reaching 127 mph in Portland. Dozens of people died and hundreds were injured. Over 50,000 homes were damaged. And the storm leveled enough timber to build 1,000,000 homes, which spurred the Asian log export market and the Oregon wine industry. Journalist John Dodge tells a lively and detailed story of this catastrophic storm and its lasting effect on the region.




Please join me every Friday to share the first sentence (or so) of the book you are reading, along with your initial thoughts about the sentence, impressions of the book, or anything else the opener inspires. Please remember to include the title of the book and the author’s name.

EARLY BIRDS & SLOWPOKES: This weekly post goes up Thursday evening for those who like to get their posts up and linked early on. But feel free to add a link all week.

FACEBOOK: Rose City Reader has a Facebook page where I post about new and favorite books, book events, and other bookish tidbits, as well as link to blog posts. I'd love a "Like" on the page! You can go to the page here to Like it. I am happy to Like you back if you have a blog or professional Facebook page, so please leave a comment with a link and I will find you.

TWITTER, ETC: If you are on Twitter, Instagram, Google+, or other social media, please post using the hash tag #BookBeginnings. I try to follow all Book  Beginnings participants on whatever interweb sites you are on, so please let me know if I have missed any and I will catch up.

TIE IN: The Friday 56 hosted by Freda's Voice is a natural tie in with this event and there is a lot of cross over, so many people combine the two. The idea is to post a teaser from page 56 of the book you are reading and share a link to your post. Find details and the Linky for your Friday 56 post on Freda’s Voice.

YOUR BOOK BEGINNING




Monday, October 8, 2018

Mailbox Monday: Son of Amity by Peter Nathaniel Malae

I got one new book last week. What books came into your house?



Son of Amity by Peter Nathaniel Malae. This novel of gritty, small town life-on-the-edge just came out this week. It looks grim but good.






Thanks for joining me for Mailbox Monday, a weekly "show & tell" blog event where participants share the books they acquired the week before. Visit the Mailbox Monday website to find links to all the participants' posts and read more about Books that Caught our Eye.

Mailbox Monday is graciously hosted by Leslie of Under My Apple Tree, Serena of Savvy Verse & Wit, and Martha of Reviews by Martha's Bookshelf.

Thursday, October 4, 2018

Book Beginning: Stet: An Editor's Life by Diana Athill

BOOK BEGINNINGS ON FRIDAYS

THANKS FOR JOINING ME ON FRIDAYS FOR BOOK BEGINNING FUN!

MY BOOK BEGINNING



Some years ago Tom Powers, an American publisher who is also a writer and historian, kindly told me I ought to write a book about my fifty years in publishing.

Stet: An Editor's Life by Diana Athill. This is my book club's pick for November. Acclaimed editor Diana Athill, who turned 100 last December, offers a behind the scenes look at literary life.




Please join me every Friday to share the first sentence (or so) of the book you are reading, along with your initial thoughts about the sentence, impressions of the book, or anything else the opener inspires. Please remember to include the title of the book and the author’s name.

EARLY BIRDS & SLOWPOKES: This weekly post goes up Thursday evening for those who like to get their posts up and linked early on. But feel free to add a link all week.

FACEBOOK: Rose City Reader has a Facebook page where I post about new and favorite books, book events, and other bookish tidbits, as well as link to blog posts. I'd love a "Like" on the page! You can go to the page here to Like it. I am happy to Like you back if you have a blog or professional Facebook page, so please leave a comment with a link and I will find you.

TWITTER, ETC: If you are on Twitter, Instagram, Google+, or other social media, please post using the hash tag #BookBeginnings. I try to follow all Book  Beginnings participants on whatever interweb sites you are on, so please let me know if I have missed any and I will catch up.

TIE IN: The Friday 56 hosted by Freda's Voice is a natural tie in with this event and there is a lot of cross over, so many people combine the two. The idea is to post a teaser from page 56 of the book you are reading and share a link to your post. Find details and the Linky for your Friday 56 post on Freda’s Voice.

YOUR BOOK BEGINNING




Wednesday, October 3, 2018

Author Interview: Theresa Griffin Kennedy



Author Theresa Griffin Kennedy is a native Portlander who has written an earlier nonfiction book about Portland's history of corruption and a book of poetry. Burnside Field Lizzard, a short story collection, is her first book of fiction.


Theresa recently answered questions for Rose City reader about her new book, writing, and "domestic noir":

How did you come to write the stories in Burnside Field Lizard?

These five stories are about women who are tossed away, devalued and fighting to survive, even if survival is only possible through deviancy. As a low income mother and college student in my middle 30’s living in NE Portland, I witnessed struggling women every day. Strung out, hungry, confused, lost and without hope: I wished I could help them but couldn’t do much more than give them spare change, a warm greeting and shampoo or soap samples from the motels where I cleaned. Their stories never left me.

What is the significance of the title? Does it have a personal meaning for you besides its connection to the title story?

A "Field Lizard" is woman of loose morality or in some cases a prostitute. My brother taught me that. Burnside Street is a road in Portland, Oregon that after so many decades of murders and evil deeds, carries a dark feeling of jeopardy within its intersections. This title expresses my truly place-based writing. The soul of old Portland resides in these pages.

What is the significance of the cover image?

The cover image was originally created from a cell phone photo my daughter took in 2016 which was then recreated by my graphic designer Gigi Little, by taking her own photo of a like ensemble of similar objects and toying with color. The image seems a perfect reflection to me of both the throwaway culture of small plastic objects and the "plastic" nature of new Portland covering up the "dinosaurs" of old Portland. All while giving a nod the the significance of the bar scene in the history of debauchery and human connection in this old western town.

You are a native Portlander. How much of your stories are drawn from their location and
your knowledge of it?

All my stories are in some way about Portland. I’ve lived here my whole life and know nearly every inch of the city. I value writing about things with which I’m familiar because the intimate details of a city's geography produces authority. As a lifer, I have an complex love/hate relationship with my hometown that might perplex newcomers. However, when you can go back fifty years in your recollection of a city, you have both a richer and broader understanding of a town.

You describe your stories as “domestic noir.” What do you mean by that?

Domestic noir, according to Julia Crouch, "takes place primarily in homes and workplaces, concerns itself largely with the female experience, is centered around relationships and takes as its base a broadly feminist view that the domestic sphere is a challenging and sometimes dangerous prospect for its inhabitants.” I'm influenced by domestic noir writers such as Gillian Murphy and Darcey Steinke. I didn’t write the stories in Burnside Field Lizard with the idea that I’d be promoting or defending women – it just happened that way. With a very real war being waged against women in this country and elsewhere, it’s important to me to present women as strong, complex and as the survivors they are, however damaged.

What is your professional background? How did it lead you to writing fiction?

I have limited work experience. Originally, I went back to college in 2001 to become a parole officer but instead, pivoted to writing. It helped that my father, Dorsey Griffin was also a writer and author. I wouldn’t be a writer if not for my father’s unwavering support. The social act of writing and expressing myself through the written word is the way I make sense out of a violent and confusing world. My first inclination is to express and then to feel heard.

What did you learn from writing your book – either about the subject of the stories or the
writing process – that most surprised you?

Writing this book, I discovered my deep anger about the plight of women in our society. This discovery came on as a slow burn, taking a while for me to digest. The emotional impact of my fury at how women are treated, particularly in our current governmental administration, is one of my most important realizations. On another note, I also learned that I can write a killer sex scene: graphic sex writing in literature doesn't scare me. It can be ugly; it can be explicit and still emotionally moving at the same time.

What is the most valuable advice you’ve been given as an author?

The best advice I've gotten from writer friends is not be afraid. Notably, that message has come from men writers rather than women writers. JD Chandler and Tom Hansen have reminded me to just tackle what I want, to not worry about the approval of the establishment or the powers that be. So, disregarding the fear of what others might think is probably the most important thing I’ve been told – that, and reading every available teaching to expand my awareness of plot mechanisms, vocabulary, grammar and overall understanding of the bigger picture of a story or a novel. I'm not a writer who puts out three novels a year. I work at each sentence and continue to take writing classes as I go.

Who are your three (or four or five) favorite authors? Is your own writing influenced by the
authors you read?

Number one: Darcey Steinke. There is just something about her writing that is so unique and her playfulness with language is unforgettable. Next, Daphne Du Maurier, F. Scott Fitzgerald, Toni Morrison, and most passionately, Portland author, Lidia Yuknavitch. Other than my draw to domestic noir, I would not say my writing is strongly influenced by anyone.

My older verbiage was once called “pedantic” and frankly, I took it as a compliment because my stylistic formality draws a more striking contrast to my character's difficult sets of circumstances. While my parents were college educated, I grew up low income, the seventh of nine children. We were exposed to literature all the time and my mother was always correcting our English. It was an odd upbringing, but I wouldn’t trade it now for anything in the world. I suppose this was the strongest influence on my writing style.

What kind of books do you like to read? What are you reading now?

I read constantly and sometimes as many as four books simultaneously. Right now I’m reading FEAR by Bob Woodward and Dora: A Headcase by Lidia Yuknavitch. The contrast is wonderful and they’re both absolutely amazing.

You are active on Twitter, Facebook, and Instagram. From an author's perspective, how
important are social networking sites and other internet resources to promote your book?

Instagram is much more fun than Facebook, so now I’m hooked! It can be a burden sometimes to feel obligated to check in and create a post or update. But it’s also a source of enjoyment. I've weathered a lot of drama through social media but the positive has outweighed the negative and it's simply the best way to promote yourself as a writer.

Do you have any events coming up to promote your book?

There will be a launch party at CRUSH in the month of October, date TBA! Follow me on Twitter for details.

What’s next? Are you working on your next book?

About ten months ago, I began writing my first novel, Talionic Night in Portland. A TV assignment editor becomes involved with a grade school custodian and they fall in love. They traverse a very class conscious town in a morbid comic love story with Portland as the backdrop, during 2005. Following my current domestic noir release, I'd call this one comic noir. It's been a lot of fun to write. Talionic Night in Portland will be available in early 2019.

I’m also finishing a book of intimate personal narrative essays from my life called We Learned to Live in that Castle: Stories. These stories document my teen years in foster care and the sexual awakening that occurred while I was constantly moving from one foster home to another, my years as an isolated single mother in the early 2000’s, a rape I experienced as a child in 1979 when I was thirteen, and the suicide of my first love, a boy I desperately loved. We Learned to Live in that Castle: Stories will also be available in 2019.


THANKS THERESA!

BURNSIDE FIELD LIZARD IS OUT THIS WEEK! ASK YOUR LOCAL BOOK SELLER TO ORDER IT.


Monday, October 1, 2018

Mailbox Monday: The Shame of Losing by Sarah Cannon

What books came into your house last week? I got a brand new memoir from a PNW writer.



The Shame of Losing by Sarah Cannon. Days before she turned 33, Sarah's husband suffered a traumatic brain injury at work that changed everything about her marriage and the life they had planned.




Thanks for joining me for Mailbox Monday, a weekly "show & tell" blog event where participants share the books they acquired the week before. Visit the Mailbox Monday website to find links to all the participants' posts and read more about Books that Caught our Eye.

Mailbox Monday is graciously hosted by Leslie of Under My Apple Tree, Serena of Savvy Verse & Wit, and Martha of Reviews by Martha's Bookshelf.

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