Showing posts with label 2009. Show all posts
Showing posts with label 2009. Show all posts

Wednesday, October 23, 2013

Review Re-Run: Au Revoir to All That by Michael Steinberger

NOTE

Reading The Whole Fromage: Adventures in the Delectable World of French Cheese by Kathe Lison got me thinking about this Au Revoir book.  This is a re-posting of a review I first posted back in September 2009.



For years, wine writer and ardent Francophile Michael Steinberger ignored the doomsayers trying to hang crepe on France’s gastronomic culture. He dismissed out of hand a 1997 New Yorker article with the interrogatory headline, “Is There a Crisis in French Cooking?” He refused to consider the emergence of super star Spanish chefs and their la Nueva Cucina as a real threat to France’s dominance in the kitchen. And he discounted his own sub-par dining experiences as well as the accelerating death rate of France’s restaurants, closing by the hundreds each year.

But, eventually, the totality of the evidence overwhelmed his denial. The “snails fell from [his] eyes,” he explains, after a particularly bad lunch at his favorite Parisian restaurant. His “adored institution” had changed, replacing its classic dishes with a dumbed-down menu and the equally classic waitresses with “bumbling androids.” The experience forced him to consider the unthinkable idea that French cuisine might really be in trouble. He decided to find out for himself.

In Au Revoir to All That: Food, Wine, and the End of France, Steinberger opens the cupboards of France’s culinary heritage and makes a compelling case for how and why the situation looks so bleak. Topics he examines include chefs who leave the kitchen and toque behind for the boardroom and business suit; the economic and bureaucratic quagmire sucking down French restaurants and associated businesses; competition from innovative Spanish, British, and American chefs; France’s wholehearted embrace of fast food and willing abandonment of culinary tradition; the mess of the Michelin star system; the mess of the wine appellation system; the demise of handcrafted cheese and lack of support for other artisan producers; and the general malaise of the French public who seem not to notice or care that their fabled cuisine may soon be a thing of the past.

Steinberger did his research. He interviewed star chefs, rising stars, falling stars, restaurateurs, wine makers, wine merchants, cheese makers, and PR flaks. He visited restaurants, wineries, and farms; eating, drinking, and listening his way through the French culinary scene. He amassed a staggering mountain of statistics. And then he turned these raw ingredients into captivating vignettes that tell a story so much bigger than the sum of all these parts.

For instance, it is interesting to learn that 90 percent of the Camembert cheese made in France is made from pasteurized milk by industrialized producers. But it is absolutely fascinating to read Steinberger’s story about visiting François Durand at his dairy farm outside the virtually extinct hamlet of Camembert. Here in Normandy, in the legendary birthplace of France’s most famous cheese, there are only seven producers left who make raw-milk Camembert. Of these, Durand is the last one who makes cheese by hand, using only milk produced from his own cows. The only one? How can that be? Stories like this one of a lonely cheese maker ladling milk in his barn put a face on the problems Steinberger seeks to explain.

But Steinberger does more than string together individual snapshots. He uses stories like Durand’s to illustrate the larger problems -- including French social attitudes and politics -- threatening French cooking. For example, sticking with the cheese theme, Steinberger questions why there is not greater demand for products made by masters like Durand; why the French seem content with industrialized, bland, plastic-like cheese. He compares Durand’s constant struggle to make a living selling hand crafted cheese at the same price of supermarket, machine-made cheese with artisanal cheese makers in America. Why, he wonders, do Paris chefs not drive two hours to buy Durand’s superior product, like New York chefs are wont to do? Why do rich French yuppies not retire to the French countryside and start making their own fancy cheese, like so many urban refugees in America have done? The answer, he decides, is in the French outlook:

[T]hat sort of thing wasn’t likely to happen here in France; here, your chosen career, your métier, was considered your station for life, and you definitely did not give up a well-paying job in Paris to go milk cows in Normandy.
Steinberger blames the French government as much as societal ennui for the culinary crisis. He offers example after example of how politics and excessive regulation are crushing France’s food industry. These examples range from irritating regulatory details, such as a new rule prohibiting wine merchants from displaying “AOC” (premium) wines next to more ordinary vins de pays wines; to onerous laws such as the 19.6% value added tax on restaurant meals; to the biggest political issue of all, the economic legacy of François Mitterand’s socialist policies, which eroded the standard of living for ordinary citizens (left with shorter work weeks and more vacation, but stagnant wages and high inflation) and bled the country of talent as hundreds of thousands of entrepreneurs (including chefs) left for more promising markets.

Steinberger is no libertarian zealot. His political conclusions are based, not on partisan ideology, but on his first-hand observations and discussions with the people trying cook and run culinary businesses in France. It does him credit that he does not shy away from these bigger issues. His clear-eyed approach allows him to provide a comprehensive picture of his subject matter.

Which is not to say that his chosen subject matter is comprehensive. Where the book falls short is in not providing a fuller picture of the current state of French cooking. With the exception of Durand’s cheese making, Steinberger limits his scope to restaurants and, to a lesser extent, wine makers. Discussion of other parts of the French gastronomic scene is missing, such as the state of home cooking in France, the condition of farmers (other than grape growers), and the popularity of food trends like “eating local,” farmers markets, and cooking shows. But this is small criticism, based mostly on wanting more of Steinberger’s keen observation and lively writing.

With luck, and hard work, maybe France can reinvigorate its culinary reputation and Steinberger will write another terrific book about the comeback.







Friday, January 7, 2011

Books Read in 2010

This is the list of the 114 books I read in 2010, in the order that I read them. For an explanation of my rating system, see here.

There is not much rhyme or reason to whether I review a book or not.  Some of my favorite books go without a review, like both the Kate Atkinson books I read in 2010. 

If you have reviewed any of the book I reviewed, and you would like your review listed on mine, please leave a comment on my review post for that book with a link to your review and I will add it.

2010 BOOKS

The New Confessions by William Boyd (reviewed here; 4/5)

36 Yalta Boulevard by Olen Steingard (3.5/5)

One Fat Englishman by Kingsley Amis (reviewed here; 4/5) 

The Polysyllabic Spree by Nick Hornby (reviewed here; 4/5)

A Very Private Plot by William F. Buckley, Jr. (3/5)

The Brief Wondrous Life of Oscar Wao by Junot Diaz (3.5/5)

A Single Man by Christopher Isherwood (reviewed here; 3.5/5)

The Flaneur: A Stroll Through the Paradoxes of Paris by Edmund White (reviewed here; 4/5)

Case Histories by Kate Atkinson (4/5)

O Pioneers! by Willa Cather (4/5)

Play It As It Lays by Joan Didion (reviewed here; 4/5)

The Poisonwood Bible by Barbara Kingsolver (3.5/5)

Eden Springs by Laura Kasischke (reviewed here; 3/5)

Women, Work & the Art of Savoir Faire by Mireille Guiliano (3/5)

The Pilgrim's Progress by John Bunyan (2.5/5)

The Big Sleep by Raymond Chandler (4.5/5)

My Life in France by Julia Child (reviewed here) (4.5/5)

Homer and Langley by E. L. Doctorow (reviewed here) (2.5/5)

New Orleans Mourning by Julie Smith (3/5)

Portland Noir, edited by Kevin Sampsell (reviewed here; 3.5/5)

Black Beauty by Anna Sewell (3/5)

Where Angels Fear to Tread by E.M. Forster (reviewed here; 4/5)

An American Map by Anne-Marie Oomen (reviewed here; 3.5/5)

Titus Groan by Mervin Peake (reviewed here; 4/5)

Trading Up by Candace Bushnell (3/5)

Three Loves by A. J. Cronin (reviewed here; 3/5)

The Well and the Mine by Gin Phillips (reviewed here; 4/5)

The War of the Worlds by H. G. Wells (reviewed here; 4/5)

City Limits: Walking Portland's Boundary by David Oates (reviewed here; 3.5/5)

Cold Comfort Farm by Stella Gibbons (reviewed here; 5/5)

Ex Libris by Anne Fadiman (reviewed here; 3.5/5)

Second Wind by Dick Francis (reviewed here; 3/5)

Leaving Brooklyn by Lynn Sharon Schwartz (reviewed here; 3.5/5)

The Marmot Drive by John Hersey (reviewed here; 3/5)

Gormenghast by Mervyn Peake (reviewed here; 4/5)

A Year in the World by Frances Mayes (reviewed here; 3.5/5)

A Small Fortune by Audrey Braun (reviewed here; 3.5/5)

The Wall in My Head: Words and Images from the Fall of the Iron Curtain, published by Words Without Borders Anthologies (reviewed here; 3.5/5)

L'Affaire by Diane Johnson (3/5)

Whose Body? by Dorthy L. Sayers (3.5/5)

Beowulf, translated by Seamus Heaney (5/5)

The Farmer's Daughter  by Jim Harrison (reviewed here; 3.5/5)


Citizen Vince by Jess Walter (reviewed here; 3.5/5)

The Red Tent  by Anita Diamant (2.5/5)

Corked by Kathryn Borel (reviewed here; 3/5)

The Grail: A Year Ambling & Shambling Through an Oregon Vineyard in Pursuit of the Best Pinot Noir Wine in the Whole Wild World by Brian Doyle (reviewed here; 3.5/5)

The White Tiger by Aravind Adiga (3.5/5)

Indian Summer by John Knowles (reviewed here; 3/5)

Missing Mom by Joyce Carol Oats (reviewed here; 3.5/5)

On Drink by Kingsley Amis (reviewed here; 3.5/5) 

Every Day Drinking by Kingsley Amis (reviewed here; 3/5)

How's Your Glass? by Kingsley Amis (reviewed here; 2.5/5)

The Secret Scripture by Sebastian Barry (reviewed here; 4/5)

Clown Girl by Monica Drake (reviewed here; 3/5)

Under Orders by Dick Francis (3/5)

A Week in December by Sebastian Faulks (reviewed here; 4/5)

Angler Management: The Day I Died While Fly Fishing and Other Essays by Jack Ohman (reviewed here; 3.5/5)

Cover Her Face by P. D. James (3.5/5)

The Count of Monte Cristo by Alexander Dumas (5/5)

Lunatic Express: Discovering the World . . . via Its Most Dangerous Buses, Boats, Trains, and Planes by Carl Hoffman (reviewed here; 3.5/5)

Fer-de-Lance by Rex Stout (reviewed here; 3/5)

McSorley’s Wonderful Saloon by Joseph Mitchell (reviewed here; 4.5/5)*

Old Mr. Flood by Joseph Mitchell (reviewed here; 4/5)*

The Bottom of the Harbor by Joseph Mitchell (reviewed here; 4.5/5)*

Joe Gould’s Secret by Joseph Mitchell (reviewed here; 4/5)*

A Sudden Country by Karen Fisher (3/5)

Deaf Sentence by David Lodge (reviewed here; 4/5)

Small Island by Andrea Levy (reviewed here; 3.5/5)

Down River by John Hart (3.5/5)

Invitation to Provence by Elizabeth Adler (3/5)

Valley of the Dolls  by Jacqueline Susann (reviewed here; 2/5)

This is Water by David Foster Wallace (3/5)

The Idea of Perfection by Kate Grenville (reviewed here; 3.5/5)

Juliet, Naked by Nick Hornby (reviewed here; 4/5)

The Mermaid and the Messerschmitt by Rulke Langer (reviewed here; 4/5)

Saving Stanley: The Brickman Stories by Scott Nadelson (reviewed here; 3.5/5)

Every Bitter Thing by Leighton Gage (reviewed here; 3/5)

Venusberg by Anthony Powell (reviewed here; 3.5/5)

Housekeeping vs. The Dirt by Nick Hornby (3.5/5)

The Two Towers by J. R. R. Tolkien (4/5)

The Fortress of Solitude by Jonathan Letham (reviewed here; 3/5)

Rebecca by Daphne du Maurier (reviewed here; 4/5)

The Razor's Edge by Somerset Maugham (reviewed here; 4/5)

Gone Tomorrow by Lee Child (3.5/5)

Peaceful Places, New York City by Evelyn Kanter (reviewed here) (3.5/5)

Burmese Lessons: A True Love Story by Karen Connelly (reviewed here; 3/5)

The Truth About Obamacare by Sally pipes (reviewed here; 3.5/5)

The Witches of Eastwick by John Updike (3.5/5)

Food Lover's Guide to Portland by Liz Crain (reviewed here; 4/5)

Echoes by Maeve Binchy (reviewed here; 3.5/5)

Proof by Dick Francis (3.5/5)

The Mosquito Coast by Paul Theroux (4.5/5)

The Case Has Altered by Martha Grimes (3/5)

The Widows of Eastwick by John Updike (3.5/5)

Enquiry by Dick Francis (3/5)

I Shall Not Want by Julia Spencer-Fleming (3.5/5)

Origin by Diana Abu-Jaber (reviewed here; 4/5)

Olive Kitteridge is Elizabeth Strout (reviewed here; 3/5)

Another Way the River Has by Robin Cody (reviewed here; 3.5/5)

A Geography of Secrets by Frederick Reuss (reviewed here; 3/5)

Let the Great World Spin by Colum McCann (reviewed here; 3.5/5)

The Return of the King  by J. R. R. Tolkien (4/5)

The Girl With the Dragon Tattoo by Stieg Larsson (reviewed here; 3.5/5)

One Good Turn by Kate Atkinson (4/5)

Titus Alone by Mervyn Peake (reviewed here; 2/5)

The Sea, the Sea by Iris Murdoch (reviewed here; 4.5/5)

The I Hate to Cook Book by Peg Bracken (reviewed here; 4/5)

The Joy Luck Club by Amy Tan (3/5)

The Night Gardener by George Pelecanos (notes here; 2.5/5)

The Girl Who Played With Fire by Stieg Larsson (3.5/5)

Marie Antoinette: The Journey by Antonia Fraser (3.5/5)

The Club Dumas by Arturo Perez-Reverte (3.5/5)

The Palace Council by Stephen Carter (3.5/5)


The Guernsey Literary and Potato Peel Pie Society  by Mary Ann Shaffer (reviewed here; 4/5)

NOTES
* Published in their entirety in a collection called Up in the Old Hotel, which also included five additional essays and two more short stories.

Thursday, February 4, 2010

Review: The Age of Reagan, Vol II



“Mr. Gorbachev, tear down this wall!” It was Ronald Reagan’s most famous line, but his advisors didn’t want him to say it. He wrangled over the line with his senior aides, the State Department, and the National Security Council even as he flew on Air Force One to West Berlin. Now that the Berlin Wall is gone, the line memorialized forever, and Reagan celebrated for his role in ending the Cold War, many of the same advisors claim they were for the line all along—or even wrote it.

Steven F. Hayward calls the Berlin Wall speech “a perfect microcosm” of Reagan’s political career, highlighting two important things about Reagan. The first is Reagan’s insight and imagination—the way he thought about issues on a large scale. The second is the extent to which Reagan had to battle against “the conventional reflexes of much of his own party and staff” as well as the Democrats and adversarial media.

Hayward examines both aspects of Reagan’s statecraft, focusing on the second, in the long-awaited second volume of his definitive Reagan biography. While it stands alone as a history of Reagan’s presidency, The Age of Reagan (Vol. II): The Conservative Counterrevolution, 1980 - 1989 takes up where Volume I, The Fall of the Old Liberal Order, 1964-1980, leaves off—Reagan’s first Presidential election.

Several books focus on Reagan’s foreign policy, but Hayward devotes equal effort to Reagan’s domestic policy. Hayward’s thesis, which sets his book in a class apart from other biographies, is that “there was a seamless quality to Reagan’s domestic policy outlook and his Cold War grand strategy” because Reagan embodied as a statesman Abraham Lincoln’s concept that all nations have a “central idea” from which all minor thoughts radiate. Reagan’s central idea was “that unlimited government is inimical to liberty, certainly in its vicious forms such as Communism or socialism, but also in its supposedly benign forms, such as bureaucracy.” Or, as Reagan himself put it more succinctly, “Government is not the solution to our problem, government is the problem.”

Hayward recognizes that the story of Reagan’s domestic policy lacks the personal drama of fighting the Cold war against the Evil Empire. As Hayward quips, “Reagan never stood in front of the Federal Trade Commission or the Environmental Protection Agency and said, ‘Mr. Regulator, tear down this rule!’” But Hayward does a good job of making the domestic side interesting. He is a deft writer with a light touch and he effectively uses primary source materials such as contemporary headlines and Reagan’s own recently published White House diaries.

Hayward’s other strength is his ability to break down complicated matters into simple facts with enough detail for full comprehension, but without bogging down the main narrative. For example, his cogent explanations of the economics behind Reagan’s tax reductions, the convoluted politics making a tangled mess of our Central American policies, nuclear arms negotiations with the Soviets, and the Iran-Contra affair are a helpful background for understanding the significance of these events and Reagan’s role in them.

Although the book is titled The Conservative Counterrevolution, Hayward shies away from concluding that Reagan’s realignment of American politics rose to the status of a “revolution” sufficient to counter the liberal revolution of the early Twentieth Century that culminated in Franklin Roosevelt’s New Deal. He admits that the idea of a “Reagan Revolution” is still an open question for those on both the right and the left.

However, Hayward argues, Reagan’s transformation of the Republican Party in his own image was an enormous, and enormously difficult, achievement in its own right. Reagan had other domestic achievements as well: he managed to slow the rate of government growth; he shifted attitudes about taxation so that reducing tax rates became widely accepted as a legitimate goal; he energized the marketplace of ideas by abolishing the Fairness Doctrine, which hobbled radio and TV commentators; and he initiated a “series of noisy open debates” on constitutional-level ideas about the nature and role of government.

Hayward finds this last point most significant. The Constitution and principles of the Founding Fathers were central to Reagan’s political rhetoric. For example, Hayward notes that Reagan mentions the Constitution ten times in his memoirs—ten times more than his four predecessors, Carter, Ford, Nixon, and Johnson, combined. Even as the Iran-Contra scandal was sapping the strength from the Reagan administration in its last days, Reagan fought for passage of five constitutional reforms packaged as the Economic Bill of Rights. These reforms included a federal spending limit, a line-item veto, a balanced budget amendment, prohibitions on wage and price controls, and a super-majority requirement for tax increases—issues still being debated today.

Hayward is a fellow at the American Enterprise Institute, so it is no surprise that he approaches his subject from the right. Reagan fans will no doubt enjoy it more than Reagan detractors. But Hayward’s work is definitely biography, not hagiography. The Age of Reagan deserves a spot on any serious historian’s book shelf.

NOTES
First published on The Internet Review of Books in December 2009.

OTHER REVIEWS

If you would like your review listed here, please leave a comment with a link and I will add it.

Wednesday, January 6, 2010

Books Read in 2009

This is the list of the 112 books I read in 2009, in the order that I read them. For an explanation of my rating system, see here.

Water the Bamboo by Greg Bell (reviewed here; 4/5)

All Quiet on the Western Front by Erich Maria Remarque (on the MLA's Top 30 list and the College Board's Top 101 list)

Sometimes a Great Notion by Ken Kesey (4.5/5) (on the Top 20 Oregon books list)

Franny and Zooey by J. D. Salinger (reviewed here; 4/5)

Animal, Vegetable, Miracle by Barbara Kingsolver (reviewed here; 2.5/5)

Blackbird, Farewell by Robert Greer (reviewed here; 2/5)

Out of the Deep I Cry by Julia Spencer-Fleming (3.5/5)

The Mists of Avalon by Marion Zimmer Bradley (2.5/5)

Entres Nous: A Woman's Guide to Finding Her Inner French Girl by Debra Ollivier (which inspired my French Connections list; reviewed here; 3.5/5)

Black Cherry Blues by James Lee Burke (3.5/5)

Native America, Discovered and Conquered by Robert Miller (reviewed here; 3.5/5)

Cat's Cradle by Kurt Vonnegut (3/5)

The Top 10 Myths of American Health Care by Sally Pipes (reviewed here; 4/5)

The Great Fire by Shirley Hazzard (National Book Award winner; 3.5/5)

Prisoner of the Vatican by David Kertzer (2.5/5)

The River Why by David James Duncan (3/5)

Infidel by Ayaan Hirsi Ali (4/5)

Right Ho, Jeeves by P. G. Wodehouse (3.5/5)

Crime and Punishment by Foyder Dostoevsky (on the Easton Press Top 100 list; 4.5/5)

Towers of Gold by Frances Dinkelspiel (reviewed here; 3.5/5)

The Innocent by Ian McEwan (reviewed here; 3.5/5)

The Letter from Death by Lillian Moats (reviewed here; 1.5/5)

The Amateur Marriage by Anne Tyler (3.5/5)

Basil's Dream by Christine Hale (reviewed here; 3.5/5)

The Stettheimer Dollhouse, edited by Sheila Clark (on my LibraryThing Early Reviewer list; reviewed here; 3.5/5)

Mere Christianity by C. S. Lewis (4/5)

Pagan Babies by Elmore Leonard (3/5)

Red Square by Martin Cruz Smith (reviewed here; 3.5/5)

The Mating Season by P. G. Wodehouse (3.5/5)

The Alteration by Kinglsey Amis (3.5/5)

Davita's Harp by Chiam Potok (3.5/5)

Skeletons on the Zahara by Dean King(discussed here; 3/5)

Saturday by Ian McEwan (James Tate Black winner; 3.5/5)

The Floating Opera by John Barth (reviewed here; 3.5/5)

Nell Hill's Style at Home by Mary Carol (3.5/5)

Inside the Red Mansion by Oliver August (reviewed here; 3/5)

March by Geraldine Brooks (Pulitzer Prize winner; reviewed here; 3/5)

Atget's Paris, published by Taschen (3/5)

Advise and Consent by Allen Drury (Pulitzer Prize winner; reviewed here; 4/5)

The Wind in the Willows by Kenneth Grahame (on the BBC's Big Read list, the Observer's Top 100 list, and the MLA's Top 30 list; reviewed here; 4/5)

My Uncle Oswald by Roald Dahl (reviewed here; 3/5)

Wall Street by Steve Fraser (reviewed here; 2.5/5)

A Yellow Raft in Blue Water by Michael Dorris (reviewed here; 3/5)

High Fidelity by Nick Hornby (reviewed here; 4/5)

Birds by Jeff Fisher (4/5)

The Miserable Mill by Lemony Snicket (3/5) 

The Beggar by Naguib Mafouz (Nobel Laureate; reviewed here; 3.5/5) 

Black Boy (American Hunger) by Richard Wright (reviewed here; 3/5) 

Changing Places by David Lodge (reviewed here; 4/5)

My Latest Grievance by Elinor Lipman (reviewed here; 3.5/5)

That's Amore! The Language of Love for Lovers of Language by Erin McKean (3/5)

I Capture the Castle by Dodie Smith (4/5)

The Fellowship of the Ring by J. R. R. Tolkien (the All-TIME 100 list, the BBC Big Read, the MLA's Top 30 list, Radcliffe's Top 100 list, and the Observer's Top 100 list; 3/5)

After Dinner Speaking by Fawcett Boom (reviewed here; 3/5)

Stylish Sheds and Elegant Hideaways: Big Ideas for Small Backyard Destinations by Debra Prinzing (reviewed here; 4/5) 

Super Sunday in Newport by Matt Love (2.5/5) 

Pegasus Descending by James Lee Burke (3.5/5)

Au Revoir to All That by Michael Steinberger (on my French Connection list; reviewed here; 3.5/5)

The Brothers K by David James Duncan (reviewed here; 3.5/5)

Hemingway and Bailey's Bartending Guide to Great American Writers by Edward Hemingway and Mark Bailey (3/5)

The Fixer by Bernard Malamud (National Book Award winner; Pulitzer Prize winner; reviewed here; 4/5) 

Wild Fire by Nelson DeMille (3/5) 

Forbidden Bread by Erica Johnson-Debeljak (on my LibraryThing Early Reviewer list; reviewed here; 3.5/5) 

To Darkness and to Death by Julia Spencer-Fleming (reviewed here; 3/5) 

Doctor Sally by P. G. Wodehouse (3/5) 

Goodbye, Columbus by Philip Roth (National Book Award winner; reviewed here; 4/5) 

Blue Planet in Green Shackles by Vaclav Klaus (reviewed here; 3.5/5) 

Underworld by Don DeLillo (reviewed here; 2.5/5) 

Dreams by Sigmund Freud (2.5/5) 

Paul Newman: A Life by Shaun Levy (reviewed here; 4/5)

Shalimar the Clown by Salomon Rushdie (3/5) 

The Tin Roof Blowdown by James Lee Burke (reviewed here; 3.5/5) 

The Last Chinese Chef by Nicole Mones (reviewed here; 3.5/5) 

The Time Traveler's Wife by Audry Niffinger (2.5/5) 

Plainsong by Ken Haruf (3/5) 

All Mortal Flesh by  Julia Spencer-Fleming (reviewed here; 3.5/5)


Treasure Island by Robert Louis Stevenson (on the BBC's Big Read list, the College Board list, and the Easton Press Top 100 list; 3.5/5) 

Brick Lane by Monica Ali (3/5) 

American Rust by Philip Meyer (on my LibraryThing Early Reviewer list; reviewed here; 2.5/5) 

The Plague by Albert Camus (Nobel Laureate; on the Observer's Top 100 list; 3/5) 

Julie and Julia by Julie Powell (reviewed here; 2.5/5) 

Behind the Scenes at the Museum by Kate Atkinson (Costa Book Award winner; reviewed here; 3.5/5) 

Ice Chorus by Susan Stonich (reviewed here; 3.5/5) 

Autobiography by Benjamin Franklin (4/5) 

The Silver Palate Cookbook by Sheila Lukins and Julie Russo (reviewed here; 4/5) 

Stalin's Ghost by Martin Cruz Smith (3.5/5) 

Laughing Gas by P. G. Wodehouse (3/5) 

Joker One by Donovan Campbell (on my LibraryThing Early Reviewer list; reviewed here; 4/5) 

Freddy and Fredericka by Mark Helprin (reviewed here; 3.5/5) 

The Man Who Loved China by Simon Winchester (reviewed here; 4/5) 

The Family Man by Elinor Lipman (3/5) 

The Age of Reagan, Vol. 2 by Steven Hayward (reviewed here; 4/5) 

Alice Adams by Booth Tarkington (Pulitzer Prize winner; reviewed here; 2.5/5) 

Sarah's Key by Tatiana de Rosnay (2.5/5)

The Complete Short Stories* by Ernest Hemingway (Nobel Laureate; reviewed here; 3.5/5) 

The Tenderness of Wolves by Stef Penney (Costa Book Award winner; reviewed here; 4/5) 

The Seven Storey Mountain by Thomas Merton (3/5) 

Incidents in the Rue Laguier by Anita Brookner (reviewed here; 3/5) 

Massacred for Gold by Gregory Nokes (reviewed here; 3.5/5) 

A Century of November by W. D. Wetherell (reviewed here; 3.5/5) 

Good for the Jews by Debra Spark (reviewed here; 3.5/5) 

Gentlemen of the Road by Michael Chabon (3/5) 

The Tricking of Freya by Christina Sunley (on my LibraryThing Early Reviewer list; reviewed here; 3.5/5) 

The Italian Lover by Robert Hellinga (reviewed here; 2.5/5) 

The Fire by Katherine Neville (on my LibraryThing Early Reviewer list; reviewed here; 2/5) 

How to Save Your Own Life by Erica Jong (reviewed here; 3.5/5) 

American Lion: Andrew Jackson in the White House by Jon Meacham (reviewed here; 3.5/5) 

The Inn at Lake Divine by Elinor Lipman (3.5)

Blue River by Ethan Canin (reviewed here; 2/5)

Betrayal by John Lescroart (3/5)


* The Complete Short Stories of Ernest Hemingway includes all the stories published in several separate volumes, plus additional others. I counted this as one book, but the separate volumes subsumed by this omnibus are: In Our Time (on the Radcliffe Top 100 list), Men Without Women (on the Observer's Top 100 list), The Fifth Column and the First Forty-Nine Stories, The Snows of Kilimanjaro and Other Stories, The Short Happy Life of Francis Macomber and Other Stories, The Nick Adams Stories, and maybe others.

Thursday, December 31, 2009

Review of the Day: Blue River




Blue River is the story of two estranged brothers, semi-derelict Lawrence and his successful younger brother Edward. When Lawrence shows up bedraggled on Edward’s doorstep, the uncomfortable reunion inspires Edward’s lengthy reminiscence on their shared history and reasons for the long estrangement.

Ethan Canin is an excellent writer. But his debut novel suffers, as so many first novels do, from trying too hard to tell a story without getting close enough to the story to do it justice. He is like a baker trying to make bread by smoothing and tapping and describing the dough instead of really getting in there to knead, pound, and stretch it.

Several devices keep Canin – and his readers – distanced from the story. First, instead of letting the story itself give the book strength, he strives for images. His words keep getting in the way of what he is trying to say. Sentences such as, “Sometimes it seemed to me that you had planned your own life, Lawrence, that you had sown it in rows like a field, so that later, in exactitude, it would appear before you” have more tone than substance.

Second, most of the book – the section on the brothers’ history – is narrated by Edward as if he is talking to Lawrence. As shown in the sentence above, the first-person narration is directed at a particular “you” who is Lawrence. This is an off-putting technique because it is like listening to a conversation about a story instead of watching the story directly. There is a layer between the story and the reader that does not need to be there.

Finally, and fundamentally, Blue River is no more than the “backstory” for what could be a very interesting book. The history of the two boys and the reasons they have been alienated from each other is only marginally interesting, and takes only about 200 pages. The more compelling story is the one that would start where this book ends – what now? How do the two reunite as adults, given what has kept them apart for years? That is a story that would be difficult and complicated, but more satisfying for a reader. Canin may have done better by weaving the history from Blue River into a longer book that told the “what now?” story.


OTHER REVIEWS

my review of Canin's America, America (which I liked much more)

(If you have reviewed this or any other Canin book, please leave a comment with a link and I will list it here.)


NOTES

This was my my "blue" choice for the Colorful Reading Challenge.  I have now completed the challenge -- in the nick of time, since this was the last day.

Saturday, December 26, 2009

Review of the Day: How to Save Your Own Life



How to Save Your Own Life is the sequel to Erica Jong’s debut novel, Fear of Flying. This one finds heroine – and Jong’s literary alter ego – Isabelle Wing back in New York, deciding whether or not to leave her “awful wedded husband” Bennett.

As with Fear of Flying, this novel is frank, funny, and surprisingly contemporary for being over 30 years old. It is as full of insight and spot-on commentary about the human condition as the best of Saul Bellow, Philip Roth, John Updike, or any of the other male authors Jong set out to emulate from a female perspective.

Not all aspects of the book have survived as well as others, as Jong herself recognizes in a new Afterward published in the 2006 edition. As has happened with several Roth and Updike novels, some of the sex scenes now seem dated and unhygienic. There is even an orgy scene (!) that inspires no fantasies other than a desire to scrub the pages with rubbing alcohol.

But the underlying issue of how to build a lasting marriage based on love, companionship, and mutual respect is as compelling today as when Jong first tackled it in the 1970s.


OTHER REVIEWS
(If you would like your review posted here, please leave a comment with a link and I will add it.)

NOTES
This book is on Anthony Burgess' list of Top 99 novels.
My very short review of Fear of Flying is here.

Wednesday, December 23, 2009

Review: American Lion




Jon Meacham packs a lot into his Pulitzer Prize-winning biography American Lion: Andrew Jackson in the White House. Focusing on Jackson's time in the White House, Meacham rushes through Jackson's childhood and early years, including the 1814 Battle of New Orleans that ended the War of 1812 against the British and propelled Jackson to national fame.

But he takes his time with Jackson's years as America's seventh President, describing in readable but thorough detail the major issues and controversies of Jackson's two terms in office. Key among these were the "nullification" issue that threatened to destroy the Union and Jackson's campaign against the Bank of America. Meacham does a good job of explaining not just what happened, but the significance of the debates.

Meacham also puts Jackson and his battles into personal and national context by examining the political and philosophical condition of the adolescent United States as well as how personal feelings, events, and tragedy affected Jackson's judgment.

Jackson had deep flaws, especially viewed from the current perspective. Chief among his flaws was his lifelong support of slavery, despite his lifelong commitment to freedom and liberty. Meacham analyzes Jackson's contradictions and presents a complete portrait of this fascinating man.


OTHER REVIEWS
Bob Sanchez's review on The Internet Review of Books
(If you would like your review listed here, please leave a comment with a link and I will add it.)

NOTE
This book is on my LibraryThing Early Reviewer list, leaving me with only three left to read.  It was also my "white" choice for the Colorful Reading Challenge. I only have my "blue" choice left to finish by the end of the year and I will complete that challenge.

Thursday, December 17, 2009

Review of the Day: The Italian Lover



The Italian Lover is a literary mash-up with a Hollywood spin – the heroine from Robert Hellenga’s debut novel, The Sixteen Pleasures, falls in love with the hero from his second novel, The Fall of a Sparrow, while her book is being made into a movie. For fans of the earlier books, this has the immediate appeal of visiting old friends. Unfortunately, the appeal wears off pretty fast.

The main problem is that the stories of Margot and Woody were told very well and in full in their own books. They faced conflict, grew as people, and, in their own ways, lived happily ever after – their “story arcs” were complete. There is nothing more to add to their stories in this book, so these beloved characters are relegated to being little more than props for the story about making the movie. They are involved in the plot, but they do not develop as characters.

The movie story is central to the book, but it is thin and choppy. Any of the several characters involved in making the movie – the newly-divorced producer, anxious to prove she can make a movie on her own; the director dying of cancer, trying to make one last good movie; the aging starlet questioning her life choices; or several peripheral others – would make good anchors for a novel. But Hellenga skips from storyline to storyline without delving deeply into any of them.

The Italian Lover is entertaining. It moves right along and is full of beautiful Florentine scenes. But unlike The Sixteen Pleasures and The Fall of a Sparrow, it lacks depth and it does not linger in the mind.

Sunday, December 13, 2009

Review of the Day: The Tricking of Freya




The first couple of pages of Christina Sunley’s debut novel, The Tricking of Freya, seem a little awkward. But once it becomes clear that the narrator is writing a letter to an unknown cousin, her Aunt Birdie's child. When things fall into place, the book takes off and powers along right up to the last page.

In her never-finished letter to the cousin she hopes to find, the troubled heroine examines her family’s tribulations as well as her own, following family history from Iceland, to Canada, and back. Sunley does not flinch when writing about mental illness and how people react to it, which makes her book sometimes difficult, but more rewarding that the typical coming-of-age novel.

This is a complex story, well told and thoroughly entertaining.


NOTE
This book was on my LibraryThing Early Reviewer list. One more scratched off.


OTHER REVIEWS
Book Dilettante (review and interview)

(If you would like your review listed here, please leave a comment with a link and I will add it. )

Friday, December 11, 2009

Review of the Day: The Fire




The Fire is a complicated adventure novel involving a centuries-long search for a famous chess set and the solution to its mysteries. Parallel stories set in present day and in the 1820s track the efforts of the Black Team and the White Team to find the missing game pieces, discover the meaning of The Game, and figure out just who is on which team -- and if it matters.

This is definitely an adventure story rather than a thriller. It is full of symbolism and riddle-solving, all interwoven with history, but it is more Mists of Avalon than Da Vinci Code. The story unfolds but never heats up.

The story drags as the characters dither and, while the plot is moderately interesting, it is not an exciting book. There is a lot of talk about the heroine being in danger, but there is never any actual danger. The only deaths occurred in the past and usually involved historic figures. There are no chase scenes, sneak attacks, near misses – no immediate risks or sense of suspense at all.

The big conclusion when the heroine solves the mystery of The Game once and for all is a big snooze. At least the solution of The Da Vinci Code was profound – blasphemous, but profound. The solution of The Game is no more profound than a brochure for a New Age spa.

Sunday, December 6, 2009

Review of the Day: Good for the Jews



Good for the Jews is a spirited, engaging novel set in the high school academic world of Madison, Wisconsin. When the charming – sometimes floundering – heroine, Ellen Hirschorn, becomes romantically involved with a much older man, she uses her new connections to help her guardian figure out whether he is the target of anti-Semitism.

Spark presents an alluring cast of characters, each complete with enough quirks and foibles to make them absolutely realistic, if not entirely lovable. Spark does not shy away from showing the mixed-up muddle of people -- their thinking, their actions, or their politics.

Lines such as "The anti-Semitism of the left. If you're going to see it anywhere, I guess it would be here in Madison" demonstrate Spark's sharp eye for ironic contradictions.  Nothing is black and white and none of her characters are totally sympathetic or unsympathetic.

The ending is a little rushed, which is all the more disappointing because the rest of the book is so enjoyable. But Good for the Jews is still a great story with a lot more going on than in a typical novel of modern day manners.


OTHER REVIEWS
(If you would like your review listed here, please leave a comment with a link and I will add it.)

Friday, December 4, 2009

Review of the Day: A Century of November




In A Century of November, W. D. Wetherell tells the heartbreaking story of Charles Marden's quest to understand his son's death. Marden travels from British Columbia to the scarred, still smoldering battlefield in Belgium where his son died shortly before the November 11, 1918 Armistice that ended World War I.

This is a beautiful book, poetically written. Wetherell creates images with words – snowy train tracks through the mountains, street celebrations that verge on riots, misty moonscapes of battlefields laced with barbed wire – that linger even after the emotional impact of the story begins to fade.

One small drawback is that the book is very short, so some of the scenes seem truncated. As with most quest literature, the hero encounters several people along his journey who help or teach him in some way and then drop out of the story. In a longer book, these episodes can be drawn in more detail, or there are enough of them that a pattern is more apparent. But in a short book, the quick comings and goings of side characters feels a little choppy.

That is a minor criticism for what is otherwise a forceful book. They are making A Century of November into a movie, which could be very good because Wetherell’s evocative images should translate to the screen easily.


NOTE
Wetherell won the Michigan Literary Fiction Award for A Century in November. The book was published by the impressive University of Michigan Press.

OTHER REVIEWS
(If you would like your review listed here, please leave a comment with a link and I will add it.)

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