Wednesday, January 21, 2009
Sometimes a Great Notion . . .
Tuesday, January 20, 2009
More on Justice Denied
Monday, January 19, 2009
Opening Sentence of the Day: Blackbird, Farewell
Friday, January 16, 2009
Literary Lushes: Part II
So much to think about and so much to read! My thoughts: I cannot believe that I forgot about Under the Volcano. I feel hungover just remembering that book. And I often think about how they incorporated hot peppers into the tequila, lime, and salt ritual. Intriguing. Reading Hemingway always makes me want to drink during the day. Sort of like reading Raymond Chandler makes me want to drink rye (and sock anyone who cracks wise). And along the same Prohibition era line as Fitzgerald, the cocktail-centered scenes in The Thin Man are over the top. Bathtub gin never sounded so fun. My plan is to tackle The Lord of this Rings this year -- I am sure I will enjoy the tippling hobbits much more than the orcs, or even the walking trees. Do the trees drink? The Good Soldier Svejk is also on my TBR shelf, as antidote to All Quiet on the Western Front. Glad to hear it really is funny. And finally, I have never really thought of the drinking that goes on in Shakespeare, but I think I'll start counting the bottles. Thanks Bob! My further pondering led me to an entertaining article in the Portland Examiner about "pairing books with cocktails and hard liquor." In it, author Michelle Kerns takes the opposite approach from mine -- instead of letting literature inspire her choice of libation, she suggests books to go along with particular drinks. And she includes my favorite cocktail quote: "I like to have a martini, two at the very most. After three I'm under the table, after four I'm under the host." From The Portable Dorothy Parker. Wise woman, that Dorothy Parker. Cheers!Oh, what a fun list for a cold winter's day! Lots of possibilities out there: Of course, there's Bond, James Bond, but I don't read the books, I only watch the movies. And, anyway, stirred's just fine by me. You could categorize: desperate drinking, civilized drinking, drinking for comic effect (the last of which can shade both ways). And of course, there's plain old habitual drinking. Among the desperates: Malcolm Lowry and Under the Volcano; William S. Burroughs; lots and lots of Hemingway and, with a touch more glamour, Fitzgerald; Henry Miller, most of whose desperate sexual exploits were accompanied by the bottle. Among the civilized: J.R.R. Tolkein and his tippling Hobbits, whose English love of a small sip is echoed in Agatha Christie's murder-mystery cozies and John Mortimer's plonk-obsessed barrister, Rumpole of the Bailey. For comic effect: the rip-roaring idiot savant Svejk and his various and assorted captains and companions in Jaroslav Hasek's wonderful World War I satire The Good Soldier Svejk. And the great Falstaff, through the Henry IV/V plays and The Merry Wives of Windsor (a lot of people drink a lot of booze in a lot of Shakespeare). Intriguingly, for all of his comic relief and fascinating wisdom-of-the-cowardly outlook on life, Falstaff becomes almost a tragic figure at the time of his death in Henry V, and the bottle has a lot to do with that.
Literary Lushes
Thursday, January 15, 2009
Review: Water the Bamboo
“Water the Bamboo is a metaphor for success,” writes Greg Bell, a former lawyer, now a “speaker, trainer and facilitator” who works with companies and organizations to improve communication and relationships.
The bamboo analogy is based on the idea that giant timber bamboo takes three years of nurturing without any sign of growth before it peeps out of the ground, but once it starts, it grows to incredible heights in only 90 days. Bell ties his “21 Strategies for Extraordinary Results in Your Profession or Team” to this central theme of bamboo farming in order to show that “overnight success” really takes years of focus and effort to achieve. Bell does a good job of using the bamboo metaphor with a light but consistent hand – neither straining nor muddying it.
Given the premise, it is no surprise that Water the Bamboo is not a quick-fix, self-help book. Like the best of its genre, it emphasizes values, integrity, and long-term diligence over slick tricks and fancy packaging. Bell’s “strategies” include working from core values, setting effective goals, tending relationships, and developing self-discipline. Seven Habits enthusiasts will appreciate much of Bell’s approach.
Bell goes beyond outlining the concepts by suggesting practical exercises to implement his strategies. He recommends keeping a journal in conjunction with reading the book, and using the journal to complete the exercises in each chapter. Other hands-on suggestions include forming a “Bamboo Circle” – “a group that meets on a regular basis who listens and brainstorms solutions and strategies, and generally supports and helps each other be accountable.”
Bell’s enthusiasm and good will shine through in his upbeat writing style. No dense passages of leaden prose slow the quick tempo of the book. If anything, it moves a little too fast in parts. A few more real world stories – apocryphal or biographical – would slow things down enough to let more sink in. Likewise, Bell could do more in places to tie some of his more minor strategies to the larger, overriding principals behind the major strategies. For example, including more reminders of how core values should guide the other strategies would give more cohesion to the book as a whole.
But these are minor quibbles with what is, overall, a solid and helpful book. A lot could be gained by reading it through once, then going back and completing the practical exercises, then keeping it around for reference. After all, it takes a long time to grow bamboo – but the payoff is spectacular.
Opening Sentence of the Day: The Quotable Ronald Reagan
Wednesday, January 14, 2009
Tuesday, January 13, 2009
There are the 2009 Books!
Sunday, January 11, 2009
Award of the Day: The Premios Dardo Award
The Premios Dardo Award!
I do not know who started this award, but I thank No BS Book Reviews for recognizing my blog by "awarding" it to me. I will now pass along the good fortune.
(I confess that I am artistically challenged -- it took me quite a while to figure out that the cool picture is a typewriter with words coming out.)
This award "acknowledges the values that every blogger shows in his or her effort to transmit cultural, ethical, literary, and personal values every day."
The rules to follow are:
1) Accept the award, post it on your blog together with the name of the person who granted the award and his or her blog link.
2) Pass the award to 15 other blogs that are worthy of this acknowledgment. Remember to contact the bloggers to let them know they have been chosen for this award.
Here are the blogs that I would like to acknowledge (if you have already received this award, sorry for making extra work, but be thankful you are so well regarded):
Art Scatter
Bookoholic's Boklista
Books 'N' Border Collies
BurmudaOnion
ChainReading
Fluttering Butterflies
Fresh Ink Books
Hotch Pot Cafe
The Internet Review of Books Blog
J. Kaye's Book Blog
Julia Hedge's Laces
Letters on Pages
Linus's Blanket
Rebecca Reads
Tip of the Iceberg
Great blogs -- I encourage you to visit them all.
Review: Sister Carrie
Although Theodore Dreiser finished Sister Carrie in 1900, years of stutter steps on the part of various publishing companies delayed its full American publication until 1908. Even then, as Dreiser describes, “the outraged protests far outnumbered the plaudits.” Dreiser’s new “realism” was shocking to readers.
While Sister Carrie may not pack the same punch 100 years later, the story is sprightly and still relevant. It moves right along, with plenty of dialog and even some exciting adventures. The period details of Carrie’s life may be particular to fin de siècle New York, but the story of Carrie’s efforts to rise above her situation, in contrast to the pathos of Hurstwood’s decline, is still compelling.
The only off-note was the last minute “moral of the story” message that seemed tacked on in the last two pages. That money cannot buy happiness is a common message, but a little hard to go along with when weighed against the alternative presented by Hurstwood’s fate. Compared to the pages and pages of sermonizing that wrap up Dreiser’s American Tragedy, however, the final homily is blessedly short.
If you would like your review of this book listed here, please leave a comment with a link and I will add it.
NOTE
Sister Carries made it to the Modern Library Top 100 list. I am particularly fond of my Modern Library edition because it has the funky dust jacket image.
Friday, January 9, 2009
List: All-TIME 100 Novels
This list differs from the Modern Library Top 100and Radcliffe Top 100lists in a couple of ways, mostly because of the date range covered. Because it includes only novels published from 1923, it leaves off many significant earlier novels, for better (Henry James) or worse (Ford Madox Ford, James Joyce).
Likewise, it includes several books published after 1999, the cut off for the other lists. Some of these, such as Never Let Me Go and Atonement, I think are worthy of the distinction. But I wonder if some of the more recent books will stand the test of time (pardon the pun).
Finally, not necessarily related to the date range, this list is heavy on science fiction, which will probably prevent me from finishing it any time soon.
This is the complete list in alphabetical order. Those in red are the ones I have read. Those in blue are on my TBR shelf.
The Adventures of Augie March by Saul Bellow (reviewed here)
All the King's Men by Robert Penn Warren (reviewed here)
American Pastoral by Philip Roth
An American Tragedy by Theodore Dreiser
Animal Farm by George Orwell
Appointment in Samarra by John O'Hara
Are You There God? It's Me, Margaret by Judy Blume
The Assistant by Bernard Malamud (reviewed here)
At Swim-Two-Birds by Flann O'Brien
Atonement by Ian McEwan
Beloved by Toni Morrison
The Berlin Stories by Christopher Isherwood
The Big Sleep by Raymond Chandler
The Blind Assassin by Margaret Atwood
Blood Meridian by Cormac McCarthy
Brideshead Revisited by Evelyn Waugh
The Bridge of San Luis Rey by Thornton Wilder
Call It Sleep by Henry Roth
Catch-22 by Joseph Heller
The Catcher in the Rye by J.D. Salinger
A Clockwork Orange by Anthony Burgess
The Confessions of Nat Turner by William Styron
The Corrections by Jonathan Franzen
The Crying of Lot 49 by Thomas Pynchon
A Dance to the Music of Time by Anthony Powell (discussed here)
The Day of the Locust by Nathanael West
Death Comes for the Archbishop by Willa Cather
A Death in the Family by James Agee
The Death of the Heart by Elizabeth Bowen
Deliverance by James Dickey
Dog Soldiers by Robert Stone
Falconer by John Cheever
The French Lieutenant's Woman by John Fowles
The Golden Notebook by Doris Lessing
Go Tell it on the Mountain by James Baldwin
Gone With the Wind by Margaret Mitchell
The Grapes of Wrath by John Steinbeck
Gravity's Rainbow by Thomas Pynchon
The Great Gatsby by F. Scott Fitzgerald
A Handful of Dust by Evelyn Waugh
The Heart Is A Lonely Hunter by Carson McCullers
The Heart of the Matter by Graham Greene
Herzog by Saul Bellow
Housekeeping by Marilynne Robinson
A House for Mr. Biswas by V.S. Naipaul
I, Claudius by Robert Graves
Infinite Jest by David Foster Wallace
Invisible Man by Ralph Ellison
Light in August by William Faulkner
The Lion, The Witch and the Wardrobe by C.S. Lewis
Lolita by Vladimir Nabokov
Lord of the Flies by William Golding
The Lord of the Rings by J.R.R. Tolkien
Loving by Henry Green
Lucky Jim by Kingsley Amis
The Man Who Loved Children by Christina Stead
Midnight's Children by Salman Rushdie (reviewed here)
Money by Martin Amis (reviewed here)
The Moviegoer by Walker Percy
Mrs. Dalloway by Virginia Woolf
Naked Lunch by William Burroughs
Native Son by Richard Wright
Neuromancer by William Gibson
Never Let Me Go by Kazuo Ishiguro
1984 by George Orwell
On the Road by Jack Kerouac
One Flew Over the Cuckoo's Nest by Ken Kesey
The Painted Bird by Jerzy Kosinski (I finished as much as I could stand)
Pale Fire by Vladimir Nabokov
A Passage to India by E.M. Forster
Play It As It Lays by Joan Didion (reviewed here)
Portnoy's Complaint by Philip Roth
Possession by A.S. Byatt
The Power and the Glory by Graham Greene
The Prime of Miss Jean Brodie by Muriel Spark
Rabbit, Run by John Updike
Ragtime by E.L. Doctorow
The Recognitions by William Gaddis
Red Harvest by Dashiell Hammett
Revolutionary Road by Richard Yates
The Sheltering Sky by Paul Bowles
Slaughterhouse-Five by Kurt Vonnegut (reviewed here)
Snow Crash by Neal Stephenson
The Sot-Weed Factor by John Barth
The Sound and the Fury by William Faulkner (reviewed here)
The Sportswriter by Richard Ford
The Spy Who Came in From the Cold by John le Carre
The Sun Also Rises by Ernest Hemingway
Their Eyes Were Watching God by Zora Neale Hurston
Things Fall Apart by Chinua Achebe
To Kill a Mockingbird by Harper Lee
To the Lighthouse by Virginia Woolf
Tropic of Cancer by Henry Miller
Ubik by Philip K. Dick
Under the Net by Iris Murdoch
Under the Volcano by Malcolm Lowry
Watchmen by Alan Moore & Dave Gibbons
White Noise by Don DeLillo
White Teeth by Zadie Smith
Wide Sargasso Sea by Jean Rhys (reviewed here)
NOTES
Updated June 26, 2021.
OTHERS READING THESE BOOKS
If you would like to be listed here, please leave a comment with your links to any progress reports or reviews and I will add them here.
Thursday, January 8, 2009
Book Notes: Sometimes a Great Notion
Wednesday, January 7, 2009
Opening Sentence of the Day: Sometimes a Great Notion
Along the western slopes of the Oregon Coastal Range . . . come look: the hysterical crashing of tributaries as they merge into the Wakonda Auga River . . .Sometimes a Great Notion by Ken Kesey (ellipses in original).
Review: Money
Martin Amis’s Money is a stumbling, swirling, sodden romp though the protagonist’s brain. As anti-hero John Self bounces back and forth between London and New York, pursuing a questionable movie deal, he spins the hilarious tale of his drunken, pornographic life.
Comparisons to Kinglsey Amis’s Lucky Jim are inevitable, as both are comic novels dealing with sad-sack, affable drunks. Where Lucky Jim is charming, with likable characters and a coherent plot, Money is chaotic, with abrasive characters and a shaggy, almost stream-of-conscience plot. Money is also a little longer than it needs to be (it gets repetitive) and uses a few post-modern tricks that are too cheeky for my taste (Martin Amis is a character, for example).
But what makes Money worth reading is that it is funny. Sometimes it is laugh-out-loud funny. That, and the feeling that John Self is not quite the ogre he makes himself out to be, keeps the pages turning.
OTHER REVIEWS
Please leave a comment with a link if you would like your review posted here.
Tuesday, January 6, 2009
Where are the 2009 Books?
Monday, January 5, 2009
2008 Favorites
Sunday, January 4, 2009
In the News!
Rose City Reader . . . is a machine when it comes to recounting her reactions to reading books. She describes The Ambassadors as "typical James sludge" and that the author's "talent reminds me of artists capable of painting portraits on grains of rice."I'm giddy. Just giddy.
Update of the Day: Radcliffe's Top 100 List
Saturday, January 3, 2009
Thoughts on 2008 Books
Friday, January 2, 2009
Review: Justice Denied
In Justice Denied: What America Must Do to Protect Its Children, law professor Marci Hamilton makes the case for abolishing statutes of limitations in cases involving childhood sexual abuse. She explains what statutes of limitations are, why they do not make sense in childhood sexual abuse cases, why abolishing them would advance society’s interests in protecting children, what changes need to be made in existing laws, and who is lining up to oppose the reforms she champions.
Statutes of limitations are legislatively created deadlines for filing either a criminal or civil lawsuit. These deadlines vary from state to state, and are different for different types of crimes or civil claims. A typical example of a statute of limitations is that someone injured by a drunk driver may have two years to file a lawsuit and the state may have a similar period in which to bring criminal charges.
Hamilton explains why relatively short limitations periods for crimes or claims arising out of childhood sexual abuse do not work as intended. Many people, maybe most, who are sexually molested as children do not come forward for years or even decades, due to feelings of guilt, denial, and fear and other psychological factors shared by most victims. The problem is easiest to understand when considering, for example, a statute of limitation that sets a two-year deadline for bringing a civil case that would require a seven-year-old child to file a lawsuit against her abuser before she is nine. It is completely unlikely that a nine-year-old would understand the damage that has been done or have the wherewithal to file a civil lawsuit; and most likely that the child is still living with or otherwise in contact with the abuser.
But similar practical restrictions exist for many now-adult victims of childhood abuse who only realize the connection between their adult problems and earlier abuse when they are much older. For example, a victim may only realize at age 45 that his alcoholism, or anxiety disorder, or other problem is a result of being sexually abused as a child. To bar that person’s lawsuit because he did not file it years earlier is to deny his access to civil justice before he even knew he was injured. Because most victims of childhood sexual abuse do not come forward for years or even decades, by the time they come forward, the statutes of limitations for both criminal and civil cases has passed. Without the ability to bring criminal charges or a civil lawsuit, the abusers are never identified publicly and are left free to abuse other victims.
Hamilton likens the problem of sex abuse lawsuits to murder cases, for which there is no statute of limitations. The same policy reasons that justify having no limitation on when a murder case can be filed apply in cases of childhood sexual abuse: The damage caused by the crime is serious, the victim is unable to assist in the prosecution, and society has a strong interest in identifying the perpetrators in order to protect other potential victims.
Abolishing the statutes of limitations for childhood sex abuse cases would serve society’s interests primarily by identifying sexual abusers. Recent popular reforms, including sex offender registries, longer criminal sentences, and “pedophile-free zones” are worthwhile, but extremely limited in their effectiveness because they only apply to abusers who have been identified through criminal lawsuits. Because of short statutes of limitation, most abusers are never officially identified as sexual offenders by conviction of a crime, and so are not included on registries, do not serve any criminal sentences, and are otherwise untouched by reforms that can only apply to identified perpetrators. Only by abolishing the statutes of limitations will greater numbers of pedophiles be identified and other victims protected.
Hamilton suggests a multi-step process for changing the limitations periods in sex abuse cases. First, she argues for abolishing all statutes of limitations going forward. Second, while Constitutional concerns make it impossible to retroactively impose longer criminal statutes of limitations, she wants all states to enact “window” legislation that allows victims of past child sexual abuse a period of time – one or two years or more – to bring civil claims regardless of whether the existing statute of limitations period has already expired. California did this in 2003 and 1,000 victims filed civil lawsuits, resulting in the identification of 300 previously unidentified sex abusers. Finally, Hamilton would reform laws imposing various limitations on lawsuits against public agencies such as schools.
One of the most interesting sections of the book explains the various groups opposing the reforms Hamilton proposes. This is an odd mix of insurance companies, the Catholic church, teachers’ unions, and the American Civil Liberties Union. Hamilton examines the arguments these groups raise in opposition to changing the statute s of limitations and does a good job of explaining how the arguments miss the mark or are shortsighted.
All in all, Hamilton makes a compelling case for abolishing statutes of limitations in child abuse cases. Her arguments are well-researched – 26 pages of notes support 114 pages of text – and persuasive, without bogging down in legal jargon. While aimed at advocates, policy makers, and legislators, anyone interested in promoting meaningful reforms to help children should read Justice Denied.
Some states, including Oregon, have tried to alleviate the problems by enacting statutes of limitations that are tolled until a person reaches the age of majority and/or begin to run from “discovery” of an adult injury. For instance, Oregon’s statute, found in Oregon Revised Statutes 12.117, addresses both situations. First, the statute allows a victim who realizes his or her injury when still a minor to bring a claim prior to the person’s 40th birthday. Second, the statute allows a person to bring a claim within five years of discovering an adult injury, stating that a civil lawsuit must be filed “not more than five years from the date the injured person discovers or in the exercise of reasonable care should have discovered the injury or the causal connection between the child abuse and the injury.” In this case, “injury” does not mean the abuse itself, but later, adult problems.
Also posted on my law firm's blog.
Books Read in 2008
The Green Man by Kingsley Amis (out of print; 3/5)
The Historian by Elizabeth Kostova (4/5)
The 39 Steps by John Buchan (3/5)
Anne Frank’s Diary by Anne Frank (3/5)
Stiff Upper Lip, Jeeves by P.G. Wodehouse (3.5/5)
Pillars of the Earth by Ken Follett (4/5)
Dreamers of the Day by Mary Russell (reviewed here; 2/5)
The First Salute by Barbara Tuckman (3/5)
The Human Factor by Graham Greene (3.5/5)
Scavenger Reef by Lawrence Shames (reviewed here; 3.5/5)
Silas Marner by George Elliott (3/5)
Ex Libris by Ross King (3/5)
On Chesil Beach by Ian McEwan (reviewed here; 4.5/5)
Foreigners by Caryl Phillips (reviewed here; 2.5/5)
A Fountain Filled with Blood by Julia Spencer-Fleming (3.5/5)
Black Jews, Jews, and Other Heroes by Howard Lenhoff (reviewed here; 3/5)
Fascination by William Boyd (3/5)
The Shack by William Young (notes here; 4/5)
Best Interests by George Mead (unpublished manuscript)
The World to Come by Dara Horn (3.5/5)
Naked by David Sedaris (3/5)
Kiss Kiss by Roald Dahl (3.5/5)
Power to the People by Laura Ingraham (3/5)
Switch Bitch by Roald Dahl (3/5)
Jeeves in the Morning by P.G. Wodehouse (a.k.a. Joy in the Morning; 3.5/5)
The Bone People by Keri Hume (reviewed here; winner of the Booker Prize; 3.5/5)
A Fairly Honourable Defeat by Iris Murdoch (notes here; 4/5)
The Motive by John Lescroart (3.5/5)
Worst Case Scenario by Joshua Piven (2/5)
Returning to Earth by Jim Harrison (3.5/5)
The Stories of John Cheever by John Cheever (reviewed here; winner of the Pulitzer Prize and the National Book Critics Circle Award; 3.5/5)
How to Find Morels by Milan Pelouch (reviewed here; 4/5)
Cocktail Time by P.G. Wodehouse (3/5)
The Confession by Olen Steinhauer (3.5/5)
Look Great, Feel Great by Joyce Meyer (reviewed here; 3/5)
The Inimitable Jeeves by P.G. Wodehouse (3.5/5)
Hard Times by Charles Dickens (reviewed here; 3.5/5)
Bad Luck and Trouble by Lee Child (3/5)
The Right Stuff by Tom Wolfe (reviewed here; on the Modern Library Top 100 list for nonfiction; 3/5)
Whitethorn Woods by Maeve Binchy (reviewed here; 3/5)
Crescent City by Belva Plain (reviewed here; 2.5/5)
The Big Oyster by Mark Kudansky (3/5)
The Spirit Catches You and You Fall Down by Anne Fadiman (4/5)
The History of Love by Nicoli Krauss (4/5)
How Far Can You Go? by David Lodge (reviewed here; on the Anthony Burgess list; 4/5)
Beethoven was One-Sixteenth Black by Nadine Gordimer (reviewed here; 3/5)
Jeeves and the Old School Chum by P.G. Wodehouse (3/5)
The Suspect by John Lescroart (3.5/5)
Thank You Jeeves by P.G. Wodehouse (3.5/5)
Franklin and Lucy by Joseph Pescipo (reviewed here and here; 3.5/5)
Dear Zoe by Philip Beard (3/5)
The Sound and the Fury by William Faulkner (reviewed here; 4/5)
The Size of the World by Joyce Silber (reviewed here; 2.5/5)
Boomsday by Christopher Buckley (3/5)
Off to the Side by Jim Harrison (4/5)
Sick as a Parrot by Liz Evans (3/5)
Farewell, My Lovely by Raymond Chandler (4.5/5)
The Code of the Woosters by P.G. Wodehouse (3.5/5)
The Year of Pleasures by Elizabeth Berg (3/5)
Hallam’s War by Elizabeth Payne Rosen (reviewed here; 2/5)
Water for Elephants by Sara Gruen (4/5)
The Trial by Franz Kafka (2/5)
O, How the Wheel Becomes It by Anthony Powell (3.5/5)
All the Pretty Horses by Cormac McCarthy (reviewed here; 3/5)
Bridge of Sighs by Olen Steinhauer (3.5/5)
The Cossacks by Leo Tolstoy (3/5)
Resistance Fighter by Jorgen Keiler (reviewed here; 3.5/5)
Errors and Omissions by Paul Goldstein (3/5)
Eat, Pray, Love by Elizabeth Gilbert (3/5)
The Fracture Zone by Simon Winchester (3/5)
Decorating Journal by Nina Campbell (3/5)
The House of Mondavi by Julia Flynn Siler (reviewed here; 3.5/5)
The Seven Dials Mystery by Agatha Christie (3/5)
America, America by Ethan Cannin (reviewed here; 3.5/5)
John Paul the Great by Peggy Noonan (4/5)
Night by Elie Wiesel (4/5)
Neon Rain by James Lee Burke (3.5/5)
Protect and Defend by Vince Flynn (2.5/5)
Siddartha by Herman Hesse (reviewed here; 2/5)
Terrorist by John Updike (3.5/5)
Under the Banner of Heaven by Jon Krakauer (4/5)
The Wonder Spot by Melissa Banks (3/5)
7 Wheelchairs by Gary Presley (reviewed here and here; 3/5)
Candide by Voltaire (2.5/5)
Country Living 500 Quick & Easy Decorating Projects & Ideas by Dominique DeVito (3/5)
House Beautiful 500 Sensational Ways to Create Your Ideal Home by Kate Sloan (3/5)
John Stuart Mill: Victorian Firebrand by Richard Reeves (reviewed here and
here; 3/5)
The Accidental Tourist by Anne Tyler (3.5/5)
Cut to the Chase by Stuart Levine (3/5)
The Spirit of the Place by Samuel Shem (reviewed here; 2.5/5)
Everyman by Philip Roth (3/5)
Prodigal Summer by Barbara Kingsolver (3.5/5)
Moby Dick by Herman Melville (reviewed here; 4/5)
The English Major by Jim Harrison (reviewed here and here; 3.5/5)
Red Badge of Courage by Stephen Crane (2.5/5)
Kane and Able by Jeffery Archer (3/5)
The Glass Lake by Maeve Binchy (3/5)
A Drink Before the War by Dennis Lehane (3/5)
Absolute Zero by Chuck Logan (3/5)
To the Hilt by Dick Francis (3/5)
Dinner at the Homesick Restaurant by Anne Tyler (3/5)
Three Men in a Boat (To Say Nothing of the Dog) by Jerome Jerome (3/5)
Heaven’s Prisoners by James Lee Burke (3.5/5)
Abbeville by John Fowler (reviewed here; 3/5)
Tree of Smoke by Denis Johnson (winner of the National Book Award; 4/5)
Station Wagon in Spain by Frances Parkington Keyes (3/5)
Loving Frank by Nancy Horan (3/5)
The Islands of Divine Music by John Addiego (reviewed here and here; 3.5/5)
West with the Night by Beryl Markham (on the Modern Library Top 100 nonfiction list; 3.5/5)
Creating a Class by Mitchell Stevens (4/5)
When You Are Engulfed in Flames by David Sedaris (3/5)
Living in the Arts and Crafts Style by Charlotte Kelley (3/5)
In Hovering Flight by Joyce Hinnefeld (reviewed here; 2.5/5)
The Yiddish Policemen’s Union by Michael Chabon (5/5)
Christmas Stories by Charles Dickens (2.5/5)
Scratch Beginnings by Adam Shepard (reviewed here and here; 3.5/5)
The Emperor’s Children by Claire Messud (notes here; 3/5)
Murder Alfresco by Nadine Gordon (3/5)
So Many Books, So Little Time by Sara Nelson (reviewed here; 3.5/5)
The Lambs of London by Dan Ackroyd (3/5)
Justice Denied by Marci Hamilton (reviewed here; 3.5/5))
The Facts by Philip Roth (3.5/5)
Villages by John Updike (3/5)
The Amish Cook at Home by Lovina Eicher (3/5)
Nothing to Lose by Lee Child (3/5)
The Remains of the Day by Kazuo Ishiguro (winner of the Booker Prize; 4.5/5)
Tomorrow by Graham Swift (3/5)

