Wednesday, October 29, 2025

The Luck of the Bodkins by P. G. Wodehouse -- BOOK REVIEW


BOOK REVIEW

The Luck of the Bodkins by P. G. Wodehouse

The Luck of the Bodkins is typical P. G. Wodehouse, which makes it typically delightful. I have a Penguin edition, the kind with my favorite Ionicus covers, but I read this one with my ears. I prefer Wodehouse as audiobooks because the humor works better for me when I hear it than when I see it.

The story takes place on an ocean liner sailing from England to New York. There's a usual Wodehouse crowd of characters, led by Monty Bodkin, a rich young man pretending to have a job in order to win the hand of Gertrude Butterwick, star field hockey player travelling to a tournament in America. Other travelers include Gertrude's stodgy cousin Ambrose Tennyson who gave up his steady job in the British Navy to become a Hollywood screenwriter, and Ambrose's younger brother Reggie Tennyson who wants to work in Hollywood but his family is forcing him to take an office job in Canada. Lottie Blossom, a film ingénue who carries a pet baby alligator in a basket for publicity, and movie mogul Ivor Llewellyn provide the Hollywood connection. The well-intentioned ship's steward Albert Peasemarch is along to stir the pot.

It is a plot similar to most Wodehouse novels. There are farcical misunderstandings, room switches, a musical revue, and the need to steal back a precious item (in this case, a toy Micky Mouse). Romantic parters fall out, reunite, fall out again. Ambrose's job offer to become a film writer comes down to a monstrous misunderstanding. Someone is determined to smuggle a string of pearls through customs, but her accomplice is convinced Monty is a detective on their trail. Everything is topsy turvy, chaos reigns, and all comes good in the end.

It’s impossible to describe the humor of P. G. Woodhouse. People either love it, like me, or it leaves them cold, like my husband. Lots of laughs come from using ordinary words in unexpected situations, so just repeating the words to someone doesn’t make them laugh unless they can understand the entire context. Mostly the word play is just silly but jumps out at you when you don't expect it. For example, after several instances of the pet alligator nipping people, Ambrose (or Reggie, I don't remember) asks Lottie Blossom if her alligator is safe. She answers, "Why, is someone trying to hurt him?" I barked with laughter, but that kind of thing is not for everyone. 

Sometimes, of course, the lines are just funny, like the opening sentence:
Into the face of the young man who sat on the terrace of the Hotel Magnifique at Cannes there had crept a look of furtive shame, the shifty, hangdog look which announces that an Englishman is about to talk French.
I think my husband is just wrong.

Are you a Wodehouse fan? What’s your favorite?



Thursday, October 23, 2025

If We Still Lived Where I was Born by Maria Giura -- BOOK BEGINNINGS


BOOK BEGINNINGS ON FRIDAYS

If We Still Lived Where I was Born by Maria Giura

Thank you for joining me for Book Beginnings on Fridays. Please share the opening sentence (or so) of the book you are reading this week. You can also share from a book that caught your fancy, even if you are not reading it right now.

MY BOOK BEGINNING
we'd be in the apartment above the pastry shoppe
where downstairs my father made cannoli and eclairs and rum baba

and my mother made trays of butter cookies and rang up customers
and balanced the books.
-- from the first, title poem in If We Still Lived Where I was Born by Maria Giura.

Maria Giura's new book of poetry, If We Still Lived Where I was Born, launches on November 4. Maria was kind enough to send me a review copy and I am greatly enjoying these engaging poems. 

I first "met" Maria in 2019 when she published Celibate, a memoir about falling in love with a Catholic priest. Read my review of Celibate here and my 2019 interview with Maria here

YOUR BOOK BEGINNINGS

Please add the link to your Book Beginnings post in the box below. If you share on social media, please use the #bookbeginnings hashtag.

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THE FRIDAY 56

The Friday 56 is a natural tie-in with Book Beginnings. The idea is to share a two-sentence teaser from page 56 of your featured book. If you are reading an ebook or audiobook, find your teaser from the 56% mark.

Freda at Freda's Voice started and hosted The Friday 56 for a long, long time. She is taking a break and Anne at My Head is Full of Books has taken on hosting duties in her absence. Please visit Anne's blog and link to your Friday 56 post.

MY FRIDAY 56

-- from "In Praise of Silence" in If We Still Lived Where I was Born:
It used to terrify me
especially on three-day weekends.
Afraid God would speak,
that I would hear,
I'd drown Him out with plans, activity,
motion.
FROM THE PUBLISHER'S DESCRIPTION
In Maria Giura's If We Still Lived Where I was Born, the narrator unlocks the meaning she's made of her childhood and heritage, spirituality and lost loves and draws the reader in to retrieve their own. The collection begins in the apartment above her parents' Brooklyn pastry shoppe where she imagines them still fighting, still making us, still together, then shifts to adulthood where she learns to stay still long enough to listen for the story, and then returns to childhood where her mother and aunts teach their kids to spread out their blankets and live. Moving between New York and Italy, between family and "stranger," these poems show longing and vulnerability, but also the thrill of being young and part of something larger than oneself, of making peace, and pursuing the path you were meant to. They brim with the people and places that have taught her the most and ring with pathos and celebration, from her immigrant father waiting for her on the corner . . . bread in his hand to the sister who pulled the music out of her, helped her make her own song. Beginning with a journey to a literal birth place and extending outward to many figurative places of self-discovery, this collection explores what lasts when all else passes away.


Saturday, October 18, 2025

Spin No. 42 -- CLASSICS CLUB

 


CLASSICS CLUB SPIN

Spin Number 42

UPDATE: Spin Pick = No. 17!

I'm working on my second Classics Club list, with 28 of my 50 picks still to read by the end of 2028. Although I love the Classics Club, I usually miss the CC Spins they host every so often! I'm glad I caught this one in time to participate because it always inpires me to work on my CC list.

The Classics Club is an online "Community of Classics Lovers" started in 2012 to “unite those of us who like to blog about classic literature, as well as to inspire people to make the classics an integral part of life.” To join, you create your own list of 50 "classics" (loosely defined) and read them in five years. Details are on the Classics Club website.

UPDATE: No. 17 was the spin pick, which means I'll be reading The Cherry Orchard by Anton Chekhov. Great! Chekhov plays have been on my TBR shelves forever. I needed a push to finally read them. 


Every now and again, the Classics Club organizes a CC Spin. The idea is to pick books from your CC list, on a certain date the organizers pick a random number (October 19 for this one), and you read that books by a specific date (in this case, December 21).

You can find more details here, but these are the basics:
  • Pick twenty books from your Classics Club list that you still want to read.
  • Post that list, numbered 1-20, on your blog before Sunday, 20th October.
  • Classics Club will randomly pick a number and announce it on their website on October 20.
  • Read that book by the 18th of December and share your review (if you write one) on the Classics Club website. 
My CC Spin #42 list:
  1. The Elected Member by Bernice Rubens, Booker Prize
  2. The Secret City by Hugh Walpole, James Tait Black
  3. Without My Cloak by Kate O'Brien, James Tait Black
  4. England, Their England by A. G. Macdonell, James Tait Black
  5. Eustace and Hilda by L. P. Hartley, James Tait Black
  6. The Devil's Advocate by Morris West, James Tait Black
  7. Langrishe, Go Down by Aidan Higgins, James Tait Black
  8. Jerusalem the Golden by Margaret Drabble, James Tait Black
  9. Eva Trout by Elizabeth Bowen, James Tait Black
  10. The Black Prince by Iris Murdoch, James Tait Black
  11. The Field of Vision by Wright Morris, National Book Award
  12. Them by Joyce Carol Oates, National Book Award
  13. Laughing Boy by Oliver Lafarge, Pulitzer Prize
  14. The Store by T. S. Stribling, Pulitzer Prize
  15. The Aerodrome by Rex Warner, Burgess Top 99
  16. The Fox in the Attic by Richard Hughes, Burgess Top 99
  17. The Cherry Orchard by Anton Chekhov, The College Board
  18. The Jungle Books by Rudyard Kipling, Easton Press Greatest
  19. Pygmalion by George Bernard Shaw, Easton Press Greatest
  20. The Three Sisters by Anton Chekhov, Easton Press Greatest 
You can tell from this list -- and my Classic Club II list in general -- that I picked my CC books because they are on the prize winners and must read lists I'm working on. The Classics Club helps me buckle down on the lists I'd like to finish.



Thursday, October 16, 2025

A Map of Her Own by Dede Montgomery -- BOOK BEGINNINGS



BOOK BEGINNINGS ON FRIDAYS

A Map of Her Own by Dede Montgomery

Thank you for joining me for Book Beginnings on Fridays. Please share the opening sentence (or so) of the book you are reading this week. You can also share from a book that caught your fancy, even if you are not reading it right now.

MY BOOK BEGINNING
 When she looked out to sea, Celia felt the past and future collide in a shock that excited and frightened her.
-- from A Map of Her Own by Dede Montgomery.

Mongomery's new novel is a braided story of two women in the Pacific Northwest. Celia's story takes place inAstoria, Oregon in 2024; Emma's in Camas, Washington in 1912. Both are stories of women finding their own identities despite despite others' expectations. 

See the Publisher's Description below for more details. If you like historical fiction about strong women, this one is for you! 

YOUR BOOK BEGINNINGS

Please add the link to your Book Beginnings post in the box below. If you share on social media, please use the #bookbeginnings hashtag.

Mister Linky's Magical Widgets -- Thumb-Linky widget will appear right here!
This preview will disappear when the widget is displayed on your site.
If this widget does not appear, click here to display it.

THE FRIDAY 56

The Friday 56 is a natural tie-in with Book Beginnings. The idea is to share a two-sentence teaser from page 56 of your featured book. If you are reading an ebook or audiobook, find your teaser from the 56% mark.

Freda at Freda's Voice started and hosted The Friday 56 for a long, long time. She is taking a break and Anne at My Head is Full of Books has taken on hosting duties in her absence. Please visit Anne's blog and link to your Friday 56 post.

MY FRIDAY 56

-- from A Map of Her Own:
The rescue diver was in the wheelhouse. it felt like hours, although perhaps only minutes, when the rescue basket with Ed, wrapped in his blanket, floated its way to the copter.
FROM THE PUBLISHER'S DESCRIPTION

It's 2024 in Astoria, Oregon. Celia's return to another crabbing season is over before it begins when the boat captain suffers a heart attack, hastening her decision that this would have been her final season anyway. Now all she has to do is figure out what to do next. Simple. Right.

It's 1912 In Camas, Washington. Emma is proud of her job making paper bags at the Columbia River Paper Company, but resents her family's expectations for her to also take care of her younger siblings and help with the household chores after her shift is over.

Celia and Emma are both searching for their true selves in a world where women either give in to society's and family's expectations or have the courage to create their own destiny. 

A Map of Her Own navigates the lives of two women separated by generations and brought together by their strong connection to the Columbia River.



Saturday, October 11, 2025

Indian Summer by William Dean Howells -- BOOK REVIEW

 

BOOK REVIEW

Indian Summer by William Dean Howells

In Indian Summer, American author William Dean Howells explores lost love, middle age, friendship, and ex-patriot life in late 19th Century Italy.

Published in 1886, the novel follows 41-year-old Theodore Colville from Des Vaches, Indiana to Florence, Italy. It was in Florence 17 years earlier that Colville fell in love with a young woman who jilted him, leaving him to nurse a broken heart ever since. By a coincidence best glossed over, back in Florence, he meets up with Lina Bowen, the mutual friend of Colville and his former lover. Bowen, widowed and with a young daughter, is living in Florence and watching out for Imogene Graham, a 20-year-old American beauty.

What follows is part an Austen-like comedy of manners, part a Henry James parlor drama. Howells is often compared (rather unfavorably) with his American contemporary. Like James, Howells can talk around a subject without getting to the heart of it. But while James goes on endlessly, with little relief, Howells breaks up the navel gazing with more action and a lot of humor. It took me a while to adapt to the slow rhythm of his writing, but once I did, the book flowed right along. Colville is a quick wit, both clown and charmer, sometimes to his own detriment as he looks for the clever thing to say instead of what should be said.

As can be imagined, the triangle of Colville, Bowen, and Graham is at the center of the story as we watch the unsurprising fallout of Coville’s desire to have his cake and eat it too. The leitmotif running through the story is age and aging. Howells subtly compares the youth and inexperience of Graham with the maturity of Bowen, both played off Colville’s mid-life crises antics. An elderly, retired minister, Mr. Waters, often drifts in to offer a more dispassionate view that comes with the wisdom of age.

Like an Indian summer, Howell’s novel is a warm spot in what can be the grey and chilly literary season of late 19th Century novels. Nothing too grim. Minimum melodrama. And no tragic ending. All in all, a pleasant holiday in Florence.
      

NOTES

I read this because I am trying to read more of my pretty NYRB editions and the title fit the season. Also, while I can't count it as a book for Victober because Howells is an American author, not technically a Victorian, I think of it as Victober-adjacent. 


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