Deborah Reed's fourth novel,
The Days When Birds Come Back, launches this week. She has written three previous novels:
Olivay,
Things We Set on Fire, and
Carry Yourself Back to Me, and two popular thrillers under the pen name
Audrey Braun. Deborah splits her time between Germany, where she codirects the
Black Forest Writing Seminars at the University of Freiburg, and her home at the Oregon coast.
Deborah recently talked with Rose City Reader about her new book, her writing, and her own reading life:
How did you come to write The Days When Birds Come Back?
Honestly, I came to it painstakingly, right through the center of a very difficult time in my life. I was living alone on the Oregon coast, when my neighbor mentioned that the man who renovated the house I was renting had such integrity, which was clear by the craftsmanship of the place, and there was something about her mentioning him in this context, combined with my own life’s circumstances that sparked the magic, which I’ve never been able to explain, and pulled me into writing this story.
The theme of coming home to heal or regenerate runs through all your novels. How does that theme manifest itself in your new book?
I’ve noticed that too. I think moving quite often ever since I was a child probably plays some role in stirring up that theme. But there are so many ways to come home. In this novel it is both the physical and emotional return to the origin of one’s life and one’s self, and each prove to be problematic for the main characters, June and Jameson. Each holds a place of grief and tragedy, and the desire to look away or run away is matched by the desire to heal in the way we can only heal in the solitude that a true home provides.
Did you know right away, or have an idea, how you were going to end the story? Or did it come to you as you were in the process of writing?
I didn’t know how it would end until I arrived at those final pages. This is always the case with my endings. I’m never quite sure until I get there, in the same way the reader can’t be sure until she is turning the final page. I find this very satisfying, not to know for certain. But I do carry a hope all along that things will turn out well for the characters. It doesn’t always. In my novel
Olivay the ending was a bit controversial, even to me, and yet it was the only ending I felt possible for that particular story.
Why did you choose an Emily Dickinson poem for the title of your book? Does Dickinson’s poem connect to your story or hold a personal meaning for you?
Yes. The poem is about the warm days late in fall that feel like summer has returned. It’s confusing to things that grow and to birds that may have already begun to fly south. This theme of knowing where to go and when is also one that runs through my novels. In
The Days When Birds Come Back the question becomes whether or not this is right time to come back. It has the appearance of what is right, but that could be false hope or an inability to read the signs.
What did you learn from writing your book – either about the subject of the book or the writing process – that most surprised you?
Frankly, I was most surprised by the fact that I could write it at all. At the time I was suffering through a terrible illness that included various types of migraines and vertigo and this went on for nearly a year. And this while at the same time living through various stages of grief, and learning to love someone new. The fact that I wrote the book I wanted to write to its completion, astonishes me still.
Were books an important part of your household when you were growing up?
They were for me, but not particularly for my household. With every new school I attended, I got to explore the new library and check out new books, which thrilled me every time. What I remember most was being hooked on
Nancy Drew, and when I finished reading the entire series I read the
Hardy Boys. After that, I strangely segued into philosophical stories, like
Jonathon Livingston Seagull,
The Little Prince, and
Siddartha.
What I realize now is that these books moved me deeply, they had the power to make me afraid and to worry over mysteries outside of myself. They held the capacity to sway me toward wonder. And all these years later I find that what I want to read and write are a mix of that mystery and wonder.
Who are your three (or four or five) favorite authors? Is your own writing influenced by the authors you read?
Some of my favorites are
Marilynne Robinson,
Gerbrand Bakker,
Per Petterson,
Kate Atkinson, and
William Trevor. I’m sure my writing is influenced by theirs, but I also seek out writing that does what I try to do with my own, so it’s hard to say which comes first. I love writers who portray a strong sense of place, and whose pacing is rhythmic in a way that speaks to my ear.
What are you reading now?
A novel,
Midwinter Break by Bernard MacLaverty, and a memoir of sorts called,
The Folded Clock by Heidi Julavits.
You have a terrific website and are also on Instagram and Twitter. From an author's perspective, how important are social networking sites and other internet resources to promote your book?
I think it’s become an industry standard for writers to have a presence on social media, and readers have come to expect that they can find a writer without too much trouble. My experiences with readers have been overwhelmingly positive, so for me this has worked out well, and I’m grateful. I’m more than happy to respond to readers who have taken the time to read my work and feel compelled to reach out to me. I also think the capacity of the Internet to share links and info on writers and their work has widened writers’ audiences tremendously, and everyone benefits from that.
Do you have any events coming up to promote your book?
I do. I’ll be reading at
Powell’s Books in Portland the day the book comes out, January 9th, at 7:30 pm. And on the 12th I’ll be reading at
Elliott Bay Books in Seattle at 7 pm. My
website lists the other readings and events to follow.
What’s next? Are you working on another book?
Yes, but it’s too soon to talk about!
THANKS, DEBORAH!
YOU CAN BUY THE DAYS WHEN BIRDS COME BACK ON LINE AND AT MAJOR BOOKSTORES, OR ASK YOUR LOCAL BOOK SELLER TO ORDER IT!
