Risk Management by Reid Winslow -- BOOK REVIEW

BOOK REVIEW

Risk Management by Reid Winslow

Reid Winslow's second thriller, Risk Management, explores a dark world of corruption and double (triple?) dealing. Larry Welk makes an almost anti-hero of a protagonist as a dry drunk, disbarred lawyer working as private detective. This time, he's working off the books after his former lover is shot by Chicago police and Larry is the main suspect. 

When Larry meets Birdie Thurmond, a whip smart but socially awkward state auditor, though a dating app, he wants her help with the case as much as he wants a little romance. Birdie is willing – on both counts – but it's quid pro quo because Birdie is working on her own mystery -- trying to figure out why so many people involved in a city water project keep turning up dead. The next one may be her.

There’s a lot to keep track of in these dual storylines, but Winslow does a good job of keeping both on track. The novel builds slowly, but once it hits its stride, it speeds right along to an exciting and satisfying ending.

NOTES

Risk Management is billed as the second book in Winslow's Narrow Track series. There is overlap, but both stand on their own just fine. In the first, The Dead Bell, the protagonist is a hardboiled Chicagoland cop named Tom Edison. In my review of The Dead Bell, I described Edison as having "an alcoholic wild man for a sidekick." That wild man is Larry Welk, sobered up but still wild in Risk Management. Edison makes a cameo, but isn't part of the story. Both books are good entertainment so I hope Winslow continues the series. 

I'm not wild about the cover. I find the red color and sightless stone head disturbing. But the image makes sense and ties in with the story. 

Reid Winslow is a pen name for former attorney turned countryman author George Mead. I know George and we even worked together for a brief time a long time ago. Now he is living the life so many lawyers dream of. Good work!

FROM THE PUBLISHER'S DESCRIPTION

Exiled from Texas, disbarred, and white-knuckling sobriety in the Midwest, criminal defense attorney Larry Welk has learned to manage risk the hard way: by living inside it.

A carefully curated dating profile lands Larry a date with Birdie Thurmond, a brilliant state auditor who believes risk is just a math problem waiting to be solved. Birdie has a spreadsheet for everything, and Larry can't shake the feeling he's already been reduced to a set of variables. The night ends awkwardly, and they part ways.

Then a late-night call detonates Larry's fragile new life.

His former lover Darlene Pepper has been shot eight times by police and is clinging to life in a Chicago hospital. Before Larry can even process the news, Darlene is dead and Larry is the prime suspect. The motive points to a fortune that vanished years ago: millions stolen by Darlene's ex-husband, Larry's former client, money that was never recovered.

Now Larry is trapped between the law he once practiced and the danger he can't outrun: federal investigators closing in, a killer who seems to know his every move, and secrets that don't stay buried. With nowhere left to turn, Larry makes one desperate play: trust Birdie, the one woman convinced every problem has a solution if you run the numbers long enough.

But Birdie's equations never accounted for a man like Larry.

The Calamity Club by Kathryn Stockett and Mona's Eyes by Thomas Schlesser -- BOOK REVIEW(S)

 

The Calamity Club by Kathryn Stockett and Mona's Eyes by Thomas Schlesser

BOOK REVIEW(S)

I recently read The Calamity Club and Mona's Eyes, both new, popular books, and they hit me entirely differently. Can you guess which of these I loved and which I didn’t finish? 

The Calamity Club by Kathryn Stockett:

Well -- suspense over -- I loved this one. Absolutely loved it. I almost didn’t start it, despite getting a review copy from the publisher Spiegel & Grau. The description on the back about three misfit women bonding together to “claim what’s rightfully theirs” gave transgressive vibes that didn’t appeal to me. I just wasn’t in the mood for Thelma & Louise set in Depression-era Mississippi. But I gave it a go and could not have been more wrong in my interpretation of the cover description!

Stockett’s story is plot-driven historical fiction at its best. The POV switches between 10-year-old Meg, stuck in an orphanage with a cruel superintendent, and 25-year-old Birdie who is stuck solving the dire financial problems of her extended family. Their stories connect through Charlie, a woman whose tragic past drives her to an audacious plan to save all three of them. The characters are compelling, the setting authentic, and the plotting steadily builds to a satisfying conclusion. It’s exactly the sort of shaggy adventure I love.

Mona’s Eyes by Thomas Schlesser:

I made it through the first third then gave up. I only wish I hit the DNF button earlier! Mona's Eyes is the contemporary story of 10-year-old Mona who may or may not go blind following a medical scare. Her grandfather decides to teach her about art, so if she goes blind, she will have good images in her mind. Under the pretense of taking her to a child shrink, he takes her once a week to a museum to study one piece of art and discuss it with him. Every chapter is their viewing and discussing one work of art.

It’s like sitting through Art History 101, but without the slides and the laser pointer. Reading about someone else looking at art is as boring as it sounds. Unlike plot-dense Calamity Club, Mona’s Eyes has no plot, at least not in the first third that I read. There are little scenes interspersed between art lessons – Mona at school or with her friends, mom worrying about Mona’s health, dad drinking and running his vintage collectibles business into the ground. But those are just scenes, not story. Maybe they will tie together to suggest a plot at some point. There's a glimmer of something involving Mona finding a secret stash of valuable figurines in her father's storeroom -- maybe he can sell them and save his business. But that is two short scenes out of 150 pages. Otherwise, I feel like I’m sitting in class.

NOTES: 

Have you read either of these? What did you think?

My book club is reading Mona's Eyes for our next meeting. I am dying to know what the other ladies think, although I won't be surprised if they loved it. Several of them are really into art and may love it just because it is a book about art. I like art as much as the next person, but if I want to learn about art, I'll read an art book or watch an art appreciation class on YouTube. I want my fiction to tell a story, not educate me. 

Birdbrains: A Lyrical Guide to Washington State Birds, edited by Susan Rich -- BOOK REVIEW

Birdbrains: A Lyrical Guide to Washington State Birds by Susan Rich (editor), Stephanie Delaney (author, bird notes), and Hiroko Seki (artist) (Raven Chronicles Press, 2025)

BOOK REVIEW

Birdbrains captivated me immediately, both in concept and execution. It’s not like any other bird guide (or poetry collection) you’ve ever seen. The birdbrained brainchild of editor Susan Rich, Seattle poet and novice birdwatcher, Birdbrains combines notes on 107 birds, accompanied by poems, short fiction, and memoir from 98 poets and writers, illustrated with ink sumi-e paintings by Hiroko Seki. For each bird, there is space left to note the dates and locations of your own sightings.

Stephanie Delaney’s bird notes are aimed at the beginner birder, which I appreciate. I knew from the first entry, on the Bufflehead Duck, that I would love this book because Delaney’s style is casual and friendly:

North America’s smallest diving duck, the Bufflehead is an eye catcher, with a black and white body and white head; their face appears iridescent green and purple in sunlight, black under clouds. With a small size and a plump body, the Bufflehead is a truly cute duck.

The notes all include a description of the bird, its voice, and its habitat, along with an “intriguing tidbit” about the bird, such as, “The diminutive Brown Creeper only burns 4-10 calories a day. Thus, one spider can fuel 200 feet of climbing.”

The poems and short prose pieces, including those by four Washington State Poet Laureates, celebrate each bird and make us reflect more thoughtfully on each one. A particular favorite of mine, by Katy T. Ellis, honors the Least Sandpiper:

To Say the Least

is to say the smallest –
is to say there’s no twitch of the eye.
It’s like saying there exists
in the world of peeps
some greater, faster shoreline, speedwalker.
To spot the leasts –
time-lapse stitchers of the strand
– to hear their pin-piped preet
is to count the least
among us.

Hiroko Seki’s ethereal ink drawings, many done outdoors, beautifully illustrate each bird. A visual aid is necessary for any kind of bird guide and Seki’s monochromatic images are perfect for this one.

Although Birdbrains is called A Lyrical Guide to Washington State Birds, it is a delight for bird and poetry lovers anywhere. These birds are common in the rest of the Pacific Northwest and most also live further afield. As Dr. Ursula Valdez wrote in her Foreword, “You don’t need to be an ornithologist or bird watcher to appreciate this book; it is for bird and art lovers of all forms, who want their curious eyes, hearts, and souls filled.”

NOTES

I was happy to receive a review copy of this book through Raven Chronicle Press because I truly love it. 

The four Washington State Poet Laureates featured in the book are Elizabeth Austen, Claudia Castro Luna, Kathleen Flenniken, and Derek Sheffield. Three Pulitzer Prize winners also included poems: Ray Armentrout, Ted Kooster, and Diane Seuss.

Rereadings, edited by Anne Fadiman -- BOOK REVIEW

 

Rereadings: Seventeen Writers Revisit Books They Love

BOOK REVIEW

I wanted to like this book more than I did. Anne Fadiman's collection of essays about books and reading, Ex Libris, was wonderful. Her book, The Spirit Catches You and You Fall Down: A Hmong Child, Her American Doctors, and the Collision of Two Cultures, is some of the finest nonfiction writing I've ever encountered. I grabbed Rereadings off my shelf with those two experiences in mind. 

Only then did I catch the subtitle and realize that Fadiman didn't write the essays in this book. She is the editor of this collection of essays by 17 other writers. Specifically, these are essays originally published in a literary quarterly called The American Scholar, written on the theme of revisiting a book originally read prior to age 25. 

I was disappointed that Fadiman wasn't the author, but the premise still appealed to me. I'm a subscriber and big fan of Slightly Foxed, a literary journal dedicated to celebrating backlist books. The essays in Rereadings sounded like those I gobble up whenever a new issued of Slightly Foxed arrives. I didn't recognize any of the essay writers in Rereadings, but I don't recognize the essay writers in Slightly Foxed either, and that doesn't dampen my enthusiasm. 

What did dampen my enthusiasm -- and my spirits -- was the tone of most of the essays. In Slightly Foxed, people write about books they love and want you to read. Some are books they have reread many times, sometimes they only reread a book in order to write about it in Slightly Foxed. But they are excited to explain the joys of the book and encourage you to read it.  By the time I finish an issue of Slightly Foxed, my book wish list is noticeably longer. 

In Rereadings, most of the essays were about how a book the writer loved as a child, teen, or college student didn't stand up to reading again as an adult. Maybe the story seemed too simplistic when read with adult eyes, or the book hit wrong to current sensibilities, but for whatever reason, the magic was gone. Well, OK. But I'm an adult reading about these books now. I can't experience what it was like to read them as a teen ager so share their lessened appeal on rereading. Reading about why they are disappointing to an adult reader was a downer. I finished Rereadings with a list of books people no longer liked. 

That's not to say the essays were poorly written. They weren't. They were all polished and well-argued. But they didn't inspire me to read more, certainly not to reread. 

NOTE

Rereadings was one of the books from my TBR 26 in '26 list. I'm glad the challenge got me to finally read this one, but I won't be rereading it, that's for sure! 

So Much Serendipity in Two Recently Read Novels -- STORYLINE SERENDIPITY

SO MUCH SERENDIPITY

IN TWO RECENTLY READ NOVELS

Have you had the experience of something coming up in a book -- an event, place, idea, historical character, or even an unusual word -- and then shortly after, the same thing comes up in a different book completely by coincidence? I call this Storyline Serendipity.

Last month, I read two books that have so many similarities, it's uncanny. 

First I read The Severed Wasp by Madeleine L'Engle, famous for her children’s classic A Wrinkle in Time. The Severed Wasp is a novel for adults. It is the story of a woman in her 70s who recently retired from a career as a concert pianist. While she has a quiet demeanor, she is strong willed and can be prickly. As the story unfolds, we learn of her personal history going back to when she was a young bride of 19 living in Europe on the brink of WWII. She had a long but unconventional marriage, her son died in an accident when he was seven years old, and she has a difficult relationship with her daughter. 

Then I read the current buzz book, The Correspondent by Virginia Evans. It is the story of a woman in her 70s who recently retired from a career as a lawyer. She also has a quiet demeanor but is strong willed and definitely prickly. Through a series of letters spanning several years, we learn her history going back to when she was a young wife and mother focused on her career. She had a long marriage that ended in divorce after her son died in an accident when he was eight years old. She has a difficult relationship with her daughter. 

Both books explore themes of grief and guilt, aging, mother/daughter relationships, and friendship. 

How crazy is all that overlap? 

I highly recommend both The Correspondent and A Severed Wasp. The writing in both is first rate, the stories engaging. As I approach my 60th birthday, I greatly appreciate novels that center older women. These books are a reminder that old ladies don't have to solve mysteries to be interesting. 

WHAT IS STORYLINE SERENDIPITY?

A ONCE-IN-A-WHILE BLOG EVENT

Storyline Serendipity is more than simply reading two similar books. I don't mean like when you take a class in Russian history and read two books about the Tsar. Or when you read two mysteries and there are dead bodies in each.

I mean random coincidence between two books. I like it when this happens because it makes me slow down and pay more attention to how the event or idea, place or character was treated in each book. I get a little more out of each book than I would have if the universe hadn't paired them on my reading list.

If you experience Storyline Serendipity, feel free to grab the button and play along. If you want to, please leave the link to your post in a comment. Or leave the link to your post on the Rose City Reader facebook page. If you want to participate but don't have a blog or don't feel like posting, please share your serendipity in a comment.

This is a once-in-a-while blog event that I'll post as I come across Storyline Serendipity. If you want to participate, post whenever you want and leave a comment back here on my latest Storyline Serendipity post. If it ever catches on, we can make it a monthly event.

Portraits of Philosophers by Minco van der Weide -- BOOK REVIEW

 

BOOK REVIEW

Portraits of Philosophers by Minco van der Weide (Platonic Press 2025)

While studying philosophy at Cambridge, filmmaker Minco van der Weide started making a documentary featuring contemporary philosophers. The project combined Minco’s love of photography with his interest in philosophy. The project developed into a new book, Portraits of Philosophers, out now from Platonic Press in a gorgeous, linen-bound coffee table edition.

Minco interviewed 13 influential philosophers, asking them to discuss “what constitutes a life well-lived, what love is, where to find purpose, and how to face suffering with wisdom.” He crafted these interviews into verbal portraits of these living philosophers, presented along with his striking black and white photographic portraits. The philosophers come from different backgrounds, speak with their own voices, and approach the questions from varied perspectives. The questions asked invite no easy answers and the ideas presented sometimes contradict each other.

This is not a typical coffee table book of beautiful pictures with little substance. The photographs are a stirring enhancement to the rather dense thinking expressed in the text. This isn’t a book to flip through but to savor. Readers may wrestle with the ideas they encounter, but Minco encourages that struggle as his readers confront their own understanding of the human condition.

PUBLISHER'S DESCRIPTION

Portraits of Philosophers is an elegant, clothbound coffee table book that pairs striking photographic portraits with intimate interviews about philosophy. It captures the presence and the ideas of some of the most influential philosophers of our time.

    

ABOUT THE PUBLISHER

Platonic Press is a UK independent publisher turning profound ideas into beautifully made, readable books. We pair lucid writing with intimate access to leading thinkers, creating clothbound volumes that invite conversation as much as they reward reflection. For retailers: cross-category appeal, strong display presence, and full partner support—with flexible wholesale terms and stock-free dropshipping.

NOTES

Portraits of Philosophers is out now and available through Platonic Press and select booksellers. Platonic Press was kind enough to send me a review copy of this new book. Thank you, Platonic!

Varsity magazine published an interesting profile of van der Weide that you can read online here. 

See a reel I did about Portraits of Philosophers on Instagram @gilioncdumas. 

If We Still Lived Where I was Born by Maria Giura -- BOOK REVIEW

BOOK REVIEW

If We Still Lived Where I was Born by Maria Giura

I try to read poetry every morning, but I am no student of the genre. I don’t know what makes a poem a “good” poem or what I should look for in poetry to judge its merit. I feel a little intimidated by poetry. This all makes it difficult for me to review books of poems and I usually avoid doing so. But I thought Maria Giura’s memoir, Celibate, was fascinating and well-written, so I was willing to read and review her new poetry collection, If We till Lived Where I was Born.

I’m glad I did. Giura’s poems are accessible, evocative, and interesting. They read like little stories, mostly about her life with her extended Italian-American family. They are thoughtful in tone but never maudlin. The way they focus on everyday matters stirs up similar memories that make them easy to relate to. One called “December 8” I particularly liked and, since today is December 8, it is the perfect one to share:

Our mother always waited until
the Immaculate Conception,
before she decorated.

She pulled out
garland and lights
and the gold, antique fruit,

danced the Christmas tree
into its red-bowl stand.

She sprayed the windows
with snow
and belted
Christmas Card to You
with my sisters and me.

She tied the mistletoe
and spread the tablecloths,
hand made ornaments she hung with satin string.

Outside she wrapped lights
around both sides of our house,
fixed colored bulbs into the Holy Family
except for Jesus dim in His hay.

She baked and shopped, wrapped and cooked,
poured herself out.

In other homes, Christmas started
the day after Thanksgiving,
but we waited.

How could the Savior of the world be born
without his mother,

how could I have learned
to cherish my faith
without mine?

If We Still Lived Where I was Born is a collection of poems that can be appreciated and enjoyed by poetry connoisseurs and readers like me who shy away from poetry. I highly recommend Giura’s new book.

NOTE

I first "met" Maria in 2019 when she published Celibate, a memoir about falling in love with a Catholic priest. Read my review of Celibate here and my 2019 interview with Maria here.

FROM THE PUBLISHER’S DESCRIPTION

In Maria Giura's If We Still Lived Where I Was Born, the narrator unlocks the meaning she's made of her childhood and heritage, spirituality and lost loves and draws the reader in to retrieve their own. The collection begins in the apartment above her parents' Brooklyn pastry shoppe where she imagines them still fighting, still making us, still together, then shifts to adulthood where she learns to stay still long enough to listen for the story, and then returns to childhood where her mother and aunts teach their kids to spread out their blankets and live. Moving between New York and Italy, between family and "stranger," these poems show longing and vulnerability, but also the thrill of being young and part of something larger than oneself, of making peace, and pursuing the path you were meant to. They brim with the people and places that have taught her the most and ring with pathos and celebration, from her immigrant father waiting for her on the corner . . . bread in his hand to the sister who pulled the music out of her, helped her make her own song. Beginning with a journey to a literal birth place and extending outward to many figurative places of self-discovery, this collection explores what lasts when all else passes away.

A Map of Her Own by Dede Montgomery -- BOOK REVIEW

 

BOOK REVIEW

A Map of Her Own by Dede Montgomery

Dede Montgomery’s new book, A Map of Her Own, is historical fiction at its best. The novel offers a braided narrative, with one story set in 2024 and the other in 1912. Both take place in the Pacific Northwest and feature independent women finding their identity and purpose under challenging circumstances.

In the contemporary story, Celia is in Astoria, Oregon, at the mouth of the Columbia, looking for a new occupation when her job on a commercial crabbing boat ends abruptly. Celia enjoys the excitement, freedom, and natural beauty of working on a fishing boat, but not the low wages that require her to also work as a waitress to make ends meet. In the historical story, Emma works in for a paper mill in its paper bag factory in Camas, Washington, also on the Columbia River. Like Celia, Emma works in a male-dominated field that presents unique struggles to the few women working in it.

The two stories are connected by the Columbia River and the common experiences of both women. Montgomery skillfully weaves the two storylines together, offering insight into the working lives of her characters and women in general. The Pacific Northwest, with its beauty and difficulties, makes a memorable backdrop to the story.

If you like immersive novels with strong women characters and a strong sense of place, you will love A Map of Her Own. It is an excellent book club pick or holiday gift.

NOTES

Read teasers from A Map of Her Own here on this Book Beginnings post. I interviewed Dede when her Beyond the Ripples book came out. Read my interview here. You can also check out Dede's website for information anbout her and her writing. 

FROM THE PUBLISHER'S DESCRIPTION

It's 2024 in Astoria, Oregon. Celia's return to another crabbing season is over before it begins when the boat captain suffers a heart attack, hastening her decision that this would have been her final season anyway. Now all she has to do is figure out what to do next. Simple. Right.

It's 1912 In Camas, Washington. Emma is proud of her job making paper bags at the Columbia River Paper Company, but resents her family's expectations for her to also take care of her younger siblings and help with the household chores after her shift is over.

Celia and Emma are both searching for their true selves in a world where women either give in to society's and family's expectations or have the courage to create their own destiny.

Indian Summer by William Dean Howells -- BOOK REVIEW

 

BOOK REVIEW

Indian Summer by William Dean Howells

In Indian Summer, American author William Dean Howells explores lost love, middle age, friendship, and ex-patriot life in late 19th Century Italy.

Published in 1886, the novel follows 41-year-old Theodore Colville from Des Vaches, Indiana to Florence, Italy. It was in Florence 17 years earlier that Colville fell in love with a young woman who jilted him, leaving him to nurse a broken heart ever since. By a coincidence best glossed over, back in Florence, he meets up with Lina Bowen, the mutual friend of Colville and his former lover. Bowen, widowed and with a young daughter, is living in Florence and watching out for Imogene Graham, a 20-year-old American beauty.

What follows is part an Austen-like comedy of manners, part a Henry James parlor drama. Howells is often compared (rather unfavorably) with his American contemporary. Like James, Howells can talk around a subject without getting to the heart of it. But while James goes on endlessly, with little relief, Howells breaks up the navel gazing with more action and a lot of humor. It took me a while to adapt to the slow rhythm of his writing, but once I did, the book flowed right along. Colville is a quick wit, both clown and charmer, sometimes to his own detriment as he looks for the clever thing to say instead of what should be said.

As can be imagined, the triangle of Colville, Bowen, and Graham is at the center of the story as we watch the unsurprising fallout of Coville’s desire to have his cake and eat it too. The leitmotif running through the story is age and aging. Howells subtly compares the youth and inexperience of Graham with the maturity of Bowen, both played off Colville’s mid-life crises antics. An elderly, retired minister, Mr. Waters, often drifts in to offer a more dispassionate view that comes with the wisdom of age.

Like an Indian summer, Howell’s novel is a warm spot in what can be the grey and chilly literary season of late 19th Century novels. Nothing too grim. Minimum melodrama. And no tragic ending. All in all, a pleasant holiday in Florence.

      

NOTES

I read this because I am trying to read more of my pretty NYRB editions and the title fit the season. Also, while I can't count it as a book for Victober because Howells is an American author, not technically a Victorian, I think of it as Victober-adjacent. 

My Reviews of Three Food Memoirs -- WEEKEND COOKING

WEEKEND COOKING

My Reviews of Three Food Memoirs

Food-centric memoirs are a favorite subgenre of mine. I recently read three of them back-to-back, which felt like gluttony even to me. That doesn’t mean I am not looking forward to the next one to pop up on my TBR shelf!

Be Ready When the Luck Happens: A Memoir by Ina Garten

My sister gave me Be Ready When the Luck Happens for Christmas, knowing I would enjoy it as much as she did. She was spot on. I loved everything about it. Well, I wish it had more recipes – there are only a handful – but that just gives me the excuse to try Ina Garten's cookbooks.

My reaction surprised me a bit. I really didn't know anything about Ina Garten before I read this new memoir. I knew she is famous, had a business called The Barefoot Contessa, and posted a pandemic video of a giant cosmo cocktail that went viral. But I never watched her on tv and don't have any of her cookbooks. I was curious, though and I love reading about food people, so I looked forward to reading it. It didn't disappoint. What an interesting life!

The book starts with Garten’s childhood, which was not all that nice. Her parents were not supportive. In fact, they were psychologically, and sometimes physically, abusive. Now, as a woman in her 70s who’s clearly had plenty of counseling, she has distance from this background and can reflect on the wisdom she gained from it. Most of the book is about her marriage to Jeffrey and her career. Theirs is a long and successful marriage, but it had rough patches early on, even a lengthy separation. The support Jeffrey gave her, and her difficult childhood, are touchstones for Garten and she returns to both throughout the book.

My favorite thing about the book was learning about her career. She was working for the White House Office of Management and Budget, writing nuclear policy, and bored out of her socks, when she up and decided to buy The Barefoot Contessa food shop in the Hamptons. After 18 years, she wanted to do something new, so turned her hand to writing cookbooks. That led to TV shows, magazine columns, and other ventures. As a woman who started and ran my own business for the last 12 years, Garten’s risk taking and entrepreneurial spirit appeal to me enormously. I loved hearing about her professional growth and need for new business challenges. She is inspiring.

A Homemade Life: Stories and Recipes from My Kitchen Table by Molly Wizenberg

Unfortunately, I did not care for the second food memoir I read nearly as much as I loved Ina Garten’s book. A Homemade Life has been sitting on my TBR shelf for a while now, so I included it in my stack of books for the TBR 25 in ’25 Challenge. I’m glad I read it, and even more glad to get it off my shelf. But it wasn’t for me. I might be too old for it.

Molly Wizenberg is a self-taught chef (like Garten) who started a food blog called Orangette back in 2004. The blog led to this book, a 2009 memoir (with recipes) of her life from childhood to her wedding in 2008. That description appealed to me and is what made me buy the book in the first place. But the execution didn’t live up to my expectations.

It's not that the book or the recipes are bad. Wizenberg writes well and generally knows how to tell a good story. It’s just that she didn’t strike me as someone who really likes food or knows much about cooking. For example, she described wanting to make (up) a cake with apricots and honey baked into the top. But she put the apricots filled with honey on top of the cake batter before it went into the oven and was surprised that the apricots sunk! Even my husband knows that if you want fruit on the top of the cake, you put it in the bottom of the pan. Flip over, fruit on top. It’s not a mystery.

As for not really liking food, I’m sure she does – she made it her life. But she had an odd relationship with food and no clear philosophy about food and cooking. Like, does she view cooking as a private pleasure for herself and family? Or does she prefer cooking as a form of hospitality and entertainment? Does she like basic recipes, traditional cooking, festive meals? She never frames her approach to food. The book has bits of all those things, in no particular order. For instance, it sounds like she was a vegetarian for a while, so many (too many in my opinion) of the recipes are for baked goods and salad. But then she’s roasting chickens and making meatballs, with no explanation for why she switched. Her boyfriend/husband was a vegetarian and the master of making dinner out of a few scraps of things. That might have been interesting to experience, but not so much to read about. For example, I really don’t believe that a “salad” made by piling arugula and fresh figs on a chopping board with a hunk of “hard cheese” and – yes – chocolate shavings would be good. And no, I don’t need to try it myself. I’ll pass, like I wish I had passed on the book.

Tender at the Bone: Growing Up at the Table by Ruth Reichl

The third of my food memoirs was Tender at the Bone, Ruth Reichl’s first memoir. I’ve read all her other nonfiction and one of her novels, so I know about how Reichl went from writing restaurant reviews in Los Angeles to be the restaurant reviewer at the New York Times and then Editor of Gourmet magazine until it shut down in 2009. This book is about her life before she became a restaurant reviewer.

Like Garten, Reichl had a difficult childhood. Her parents were loving, but her mother was bipolar. Reichl describes what it was like growing up in the chaotic environment her mother’s illness created, how that experience shaped her, and how (also like Garten) it led in part to her early marriage.

Knowing from her other books how her career took off later, this one was interesting, but not riveting like it was to read about her later life. But Reichl’s origin story is still worth reading, if only for the anecdotes about living in a commune in Berkley and cooking at a cooperatively owned restaurant. I enjoyed it very much, the story and the recipes, but it didn't knock my socks off like her later books did. I am sure I would have reacted differently had I read it first.


NOTES

Weekend Cooking is a weekly blog event hosted by Marg at The Adventures of an Intrepid Reader. Beth Fish Reads started the event in 2009 and bloggers have been sharing book and food related posts ever since.

My sister gave me the book book of Be Ready When the Luck Happens and I love it because it has a ton of photographs. But I decided to read the text with my ears because Garten reads the audiobook herself. I really like it when authors narrate their own nonfiction books. You get a better sense of the tone the author wanted to convey. 

The Widow on Dwyer Court by Lisa Kusel -- BOOK REVIEW

 

BOOK REVIEW

The Widow on Dwyer Court by Lisa Kusel

Domestic thrillers are so much fun! I love the suspense of watching a husband and wife circle around each other, hiding secrets, and working out their own agendas. Just like I am glad I don't actually have to solve murder mysteries, I am happy I don't have to live through the drama these couples inflict on themselves. But I do enjoy imagining their anxiety-producing adventures through a good story. 

The Widow on Dwyer Court by Lisa Kusel is a perfect example. It is the story of Kate and Matt, who are making their unconventional marriage work for them. Kate writes erotic fiction and Matt travels a lot for his work as a PR guru. The only thing is, Kate is no longer interested in sex. So they work out a deal that Matt can have one night stands when he goes for work  trips, as long as he tells Kate about his encounters so she can use them in her books. 

I admit, this premise didn't appeal to me. I don't read erotica, or even racy romance books. But Kusel is a masterful storyteller who pulled me into the tale, despite my reservations. And there was nothing too graphic in the sex bits, which were also blunted by being second hand accounts. There are no actual "sex scenes." Instead, there is only Matt telling Kate what happened and Kate considering what to include in her books.

Kate and Matt's marital workaround goes fine until a free-spirited widow moves into the neighborhood with her daughter, who soon becomes best friends with Kate and Matt's daughter. Annie seems like the breath of fresh air the neighborhood, and Kate, needed. But Annie is hiding a secret that could upset the equilibrium Kate and Matt have established between them. The suspense builds to an exciting and unexpected conclusion. 

All in all, The Widow on Dwyer Court is a clever thriller, packed with entertainment. 

FROM THE PUBLISHER'S DESCRIPTION

[A] sexy psychological thriller that will leave you breathless.

Thirty-six-year-old stay-at-home soccer mom Kate Burke is happily married to Matt Parsons, although their marriage looks very different behind closed doors. Kate is no longer interested in having sex with her husband, so, while they still love each other madly, they make an arrangement: Matt can have one-night stands with other women on work trips, but when he returns home, he has to tell Kate about them--every juicy detail.

Because Kate has a secret life writing erotic romance novels, and Matt's adulterous affairs are her bread and butter.

The family equilibrium is upset, however, when Annie Meyers, an eccentric young widow, moves to town with her daughter. At first, Kate is smitten with this wild, witty woman, who gives her a much-needed break from the other picture-perfect suburban moms, although she's not sure how much of her secret life she's willing to share with her new friend. But, it turns out Annie has secrets too--big ones that could destroy all their lives.

México: Exploring México’s Quality Wines and Phenomenal Cuisine by Michael C. Higgins -- BOOK REVIEW

 

BOOK REVIEW

Exploring Wine Regions -- México: Exploring México’s Quality Wines and Phenomenal Cuisine by Michael C. Higgins, PhD.

Michael Higgins continues his winning streak with México, the fourth book in his Exploring Wine Regions series. México: Exploring México’s Quality Wines and Phenomenal Cuisine, follows his books on Bordeaux, Argentina, and California's Central Coast, matching their high quality and enticing content.

I know that I (and maybe most people) think of tequila and beer, not wine, when considering México’s alcoholic offerings. Higgins is out to change that perception with his insiders’ guide to México’s wineries, vineyards, and wine-related restaurants and accommodations. In a beautiful, coffee-table book format, Higgins provides all the information you need to explore México’s wine regions, enjoying incredible food, specialty lodging, and side adventures along the way.

Higgins concentrates on the three main wine regions in México – Valle de Guadalupe, Guanajuato, and Queretaro – and their sub-regions. He features wineries that are open to the public, make excellent wines, and offer tourism experiences beyond what he calls “step-up-to-the-bar-to-taste.” These experiences are primarily food-related (everyone has to eat and food and wine go together), from restaurants to food and wine parings to cooking classes, but extend to wine-making lessons, horseback riding, water sports, whale watching, shopping, museums, and more. Even teetotalers can appreciate the incredible descriptions of the food and luxury accommodations the book offers.

Like the other books in his series, Higgin’s México book is crammed with gorgeous photographs, tidbits, and asides, making it a perfect armchair travel book for any wine lover as well as an indispensable resource for planning a wine tour of the region. I can't imagine visiting México’s wine country without Higgins's book!


NOTES

You can read my review of Higgins's France and Argentina books here and his California book here. Go to the Exploring Wine Regions website for more information about this book, the series, and Michael Higgins.

 

FROM THE PUBLISHER'S DESCRIPTION

Tourism in México is outstanding, we all know it. And the Méxican wine regions are no exception. Wine regions are always very beautiful places. Here, the mountains and valleys are ever so enchanting. The wineries are engaging, have lots of tourism activities available, and are especially inviting and friendly with their warm Méxican hospitality. Both connoisseurs and novices turn to this book series for insider information and inspiration. It is a must-have book for expanding your knowledge of México and its wines. With 340 full-color pages and over 600 photographic images, this fourth edition explores México's regions of Valle de Guadalupe (including Ensenada), Guanajuato (including San Miguel de Allende) and Querétaro (with its rich history).

The Lady of the Mine by Sergei Lebedev -- BOOK REVIEW

 

BOOK REVIEW

The Lady of the Mine by Sergei Lebedev, translated by Antonina W. Bouis

The Lady of the Mine is not an easy read, but it is a powerful one. Set in 2014 when Russia invaded eastern Ukraine, it is the tragic story of a Ukrainian mining village that suffered invaders throughout the 20th Century. There is an abandoned mine shaft in the village filled with the bodies of war victims dating back to the Russian Revolution. More recently, the Nazis executed thousands of Jews and and threw the bodies down the mine during World War II. As much as the Russians would like to expose the crimes of the Nazis, they keep the mine quiet because exposing the Nazis would also expose crimes committed by the Russians during their civil war and by Soviets later. 

That is the grisly backdrop to the 2014 story. When the Russians return to the village, the current conflict revives past miseries, especially when a passenger plan is shot down over the village. 

The book is told from multiple points of view, including a young soldier in the Russian occupying forces, a young woman with generational ties to the mine and people of the village, the former manager of the mine under prior Soviet occupation, and the original mine engineer, speaking from the grave because he is one of the bodies buried in the mine. Because the story is told by so many people and skips around in time, I had a hard time engaging with the book. I had to remind myself who the different narrators were and what their connection was to the historical events in the village. I also missed some of the many references to people, places, and events that are unfamiliar to non-European readers. 

Although I struggled with these aspects of the book, I ended up admiring it very much. It made me think about how dark times in history repeat themselves and the role of ordinary individuals in tumultuous times. Now that Ukraine is again fighting off the Russians, The Lady of the Mine is a particularly moving and significant story.

FROM THE PUBLISHER'S DESCRIPTION

The mystical laundress at the center of this novel is obsessed with purity. Her task is formidable as she stands guard over a sealed shaft at a Ukrainian coal mine that hides terrible truths. The bodies of dead Jews lying in its depths seem to attract still more present-day crimes. Acclaimed Russian author Sergei Lebedev portrays a ghostly realm riven by lust and fear just as the Kremlin invades the same part of Ukraine occupied by the Wehrmacht in World War II. Then corpses rain from the sky when a jetliner is shot down overhead, scattering luxury goods along with the mortal remains. Eerie coincidences and gruesome discoveries fill this riveting exploration of an uncanny place where the geography exudes violence, and where the sins of the past are never all that in the past. Lebedev, who has won international praise for his soul-searching prose and unflinching examination of history’s evils, shines light on the fault line where Nazism met Soviet communism, evolving into the new fascism of today’s Russia.

NOTES

The Lady of the Mine was one of my TBR 25 in '25 books and counts as my Ukraine book for the 2025 European Reading Challenge. I got my copy in a LibraryThing Early Reviewer giveaway. 

 

The Little Red Chairs by Edna O'Brien -- BOOK REVIEW

 

BOOK REVIEW

The Little Red Chairs by Edna O'Brien

The Little Red Chairs has been sitting on my TBR shelf for a while now because I planned to read Edna O’Brien’s more famous Country Girls Trilogy first. But I was daunted by tackling a trilogy, so decided to start with this shorter, more recent book. I’m still recovering!

O’Brien published The Little Red Chairs in 2015, when she was 85 years old. I’ve read her autobiography, but this is the first novel of hers I read. I didn’t have any expectations about the book, but I sure wasn’t expecting such a gut punch.

The Little Red Chairs is the story of a charismatic stranger who moves to an Irish village. He sets up shop as a “healer” and becomes immediately popular, offering herbs, tinctures, poetry, hot stone massages, nutrition advice, and smoldering good looks. So far, the story is charming and even a little funny, giving almost Maeve Binchy vibes. Things get a bit racy when he has an affair with the local beauty.

Then, WHAM-O! Things get really dark, really fast. It turns out the charming stranger is an evil war criminal, responsible for the death and rape of hundreds during the Bosnian war. O’Brien vividly depicts the war and its violence. But it is when that violence follows “Dr. Vlad” to Ireland that the story is almost too horrible to read. 

I have struggled with my reaction, wondering if the story was more effective for me because it involved one Irish woman instead of hundreds of nameless Bosnian women. I know it is human nature to respond with greater empathy to one, specific person we know (even if only as a character in a book) than to a generalized horror happening to a large number of unknown people. O'Brien, like all good storytellers, understands this and uses it to great advantage. But she could have told the story of a particular Bosnian woman and she chose not to. Instead, the victim was in Ireland, which made me think about how I responded viscerally to an attack on an English-speaking, middle class, Irish woman much more than I did to the descriptions of violence against the "foreign" Bosnians in whom I did not recognize myself. That made me think and I'm still mulling it over.

There is more to the book. Much more. The story moves on to London and its immigrant community, then to a war crimes tribunal in The Hague. Much of it was a tough read, but excellently executed. And it has a hopeful, if not happy ending. This one will stick with me for a long, long time. I consider it a Must Read. 

Have you read The Little Red Chairs? What did you think?

NOTES

If you have reviewed The Little Red Chairs and would like me to share your review, please send me a link in a comment and I will list it here. 

This was my first book for the 2025 European Reading Challenge. I am counting it as my Bosnia books (technically Bosnia and Herzegovina), although I could count it as my Ireland book. But I know I will read other Ireland books but doubt I will find another Bosnia book this year. 

Come Fill the Cup by Harlan Ware -- BOOK REVIEW

 

BOOK REVIEW

Come Fill the Cup by Harlan Ware

Do you ever read some random book and end up mesmerized by it? I found a vintage hardback hiding on my shelf and decided to give it a read. It was excellent! Come Fill the Cup is a 1952 novel by journalist-turned-fiction-writer Harlan Ware about journalism and alcoholism, with a little romance and gangsters thrown in.

The story follows Lew Marsh, a hard-bitten newspaperman and recovering alcoholic, on a side assignment from his publisher to dry out the drunken son of the publisher’s best friend. Boyd Copeland is a charming playboy with mommy issues that drive him to drink. Two women complicate the matter. One is Boyd’s wife Paula, who was a cub reporter working for Lew before she married Boyd. Lew is in love with Paula and wants her to divorce Boyd and marry him. The other is Maria de Diego, a lounge singer Boyd ran around with when he was on a bender. Maria is the girlfriend of gangland boss Lenni Garr. When Garr and his thugs go after Boyd, Lew has more trouble on his hands than trying to keep Boyd sober.

It’s a rollicking, hard-boiled tale, well told. A crowd of big characters jostle each other for attention. Chicago, with its energy, wind, tall buildings, sweltering summer, and snow-covered winter is a character in itself. For all its richness, the story simmers along slowly before coming to a rolling boil with an exciting ending.

Two things fascinated me about the book. The first was how Ware made the newsroom come alive. I worked for a newspaper for a year before law school, back when “copy aids” like me were employed to move paper copies of draft stories from reporters to editors to photographers to lay-out people. My first husband was a reporter, then editor at the same paper. I’ve never worked anywhere with such a bustling environment and tight-knit group of colleagues. Those newspaper folks spent all day together, then hung out in the evenings, ate at each other’s houses, partied, and even vacationed together – talking about news, politics, and current events all the while. Ware captured that energy and feeling of intense interaction.

The second thing was how Ware wrote about alcoholism. Boyd is an affable, but fundamentally destructive alcoholic, heading to divorce and an early death. Lew has been off the bottle for seven years and helped many of his fellow recovered drinkers by hiring them at the newspaper. But Lew is never free from the desire to drink. Every day, he fights the battle with the bottle. He’s antsy and has a very short fuse. Having worked with a dry drunk for many years, I thought it was a spot-on portrait of an ex-drinker. My former law partner, the recovering alcoholic, always told me, “You can take the alcohol out of the fruitcake, but you still have a fruitcake.” Reading this book helped me understand my law partner better than I ever did, even after working with him for seven years.

I know I bought this one for its campy, vintage cover. What a delight that it ended up being a terrific yarn.

NOTES  

Come Fill the Cup was the basis for a movie starring James Cagney as Lew and Gig Young as Boyd. Young was nominated for an Academy Award for Best Supporting Actor for his role. Confusingly, the movie came out in 1951, and the book the following year. I can’t find an explanation for the timing.

I was also charmed by the memories this book brought back. There is a price sticker on the back of my copy reminding me that I bought it off the $1 shelves at Powell’s City of Books here in Portland. Prior to the most recent glamorizing remodel, Powell’s had a run of shelves under the windows in the main fiction room stuffed with a haphazard collection of books for $1 each. I used to walk over there on my lunch hour to hunt for treasures. 

This was one of the books I picked for the TBR 24 in '24 challenge, which I personally use to help me clear book off my shelf that have lingered the longest. 

Pocketful of Poseys by Thomas Reed -- BOOK REVIEW

BOOK REVIEW

Pocketful of Poseys by Thomas Reed (Beaufort Books, 2023)

Pocketful of Poseys is a warmhearted family story about a brother and sister charged with scattering their mother Cinny's ashes. The catch is that Cinny wanted her ashes mixed with the ashes of her husband, their father, and scattered in five different places around the world. She also left the money to finance the trip.

Grace and Brian, 40-something twins, head off with spouses and children on a round-the-world adventure, only opening their mother's instruction letters as they go. Through the letters and the travel they inspire, brother and sister learn the secrets of their parents' marriage, explore their own pasts, and forge stronger bonds with their own families.

I found the story easy to engage with and I cared for the characters. I enjoy stories abut families learning to accept and forgive, especially when livened up with a little humor, like this one is.

I though the pacing was a little uneven. There ae two big digressions early on, one providing Cinny's backstory, the other Brian's. I found both distracting because they abruptly pulled me out of the narrative. Then I anticipated the same sort of digression for Grace and the other characters, and I got distracted waiting for those to pop up, which they never did. This lack of similar treatment for the other characters made the first backstory digressions stand out as clunky info-dumps. I particularly missed more information about their father. There are a couple of hints that his death might have been more sinister than a winter car crash, but we get no answers. Again, compared to the almost exhaustive detail we learn about Cinny's past, this disparate treatment stood out.

Still, I really liked the book. Thomas Reed's writing style is smooth and lively, a real pleasure to read. Highly recommended.


FROM THE PUBLISHER'S DESCRIPTION

Grace Tingley and Brian Posey are forty-something twins whose lives have gone in very different directions. Grace, now a private school teacher in coastal Connecticut, was a PhD candidate at Yale when an unexpected pregnancy threw her plans into a tailspin. Brian, an adventure travel executive in Seattle, barely scraped through an obscure New England college and recently married Ella, after three years in an intimate relationship with a charismatic man from Jamaica.

When their widowed mother Cinny, a charter member of Woodstock Nation, is diagnosed with Parkinson’s disease, Grace and Brian are there for her last days in hospice care. This is where Cinny reveals her staggering plan for the siblings: They’re to sprinkle her ashes, mixed with their father’s, at a series of exotic locations around the globe—some remote, some challengingly public, all known and loved by the Poseys.

NOTE

I got a review copy of Pocketful of Poseys through the LibraryThing Early Reviewer program. My copy was free, in exchange for my honest review. 

 

Dr. Wong by Don Engebretson -- BOOK REVIEW

BOOK REVIEW

Dr. Wong by Don Engebretson (2023)

Billed as Volume 1 in what will be a series of Cole Ember spy thrillers, Dr. Wong is an irreverent romp through the world of international espionage. The adventure follows special operative Cole Ember and Canadian Intelligence Officer Olivia Laidlaw as they race to stop archvillain Dr. Wing Duck Wong from executing his destructive plans.

Engebretson is a seasoned magazine and short story writer. His debut novel, Welcome to Kamini, followed a man in a failed marriage and professional tailspin to the Canadian woods of northern Ontario. Dr. Wong has the same strong plotting, memorable characters, and captivating writing, but with non-stop action and laughs on every page.

FROM THE PUBLISHER'S DESCRIPTION

Cole Ember is an operative for CASPER, a black ops force so black it’s rumored only in CIA bathroom stalls. Unbeatable in a fistfight, deadly with a gun, and dense as a paving stone, Ember’s laughable IQ test score was grossly inflated by a bitter, underpaid CIA behavioral scientist as a “screw you” to his employer before retiring. Crossing paths with famed genetic scientist Dr. Wing Duk Wong, Ember slowly—very slowly—discovers that Wong has created a ruthless army of genetically modified humans to aid in his heinous plot to acquire vast wealth via the boldest, and most peculiar, terrorism attack in history.

Also on Wong’s tail is Canadian Intelligence Officer Olivia Laidlaw. She’s skilled, clever, beautiful, and deadly, albeit armed only with a combat knife and bear spray, per restrictions imposed by the Canadian government. Can this hapless pair find and defeat Wong before the world’s financial centers collapse, and thousands of innocent people die? Are you kidding?

FROM THE AUTHOR

My new novel is Dr. Wong—A Cole Ember Spy Thriller. First in a series. We had all the great Ian Fleming James Bond novels at the cabin, and I devoured them in my teens. Regurgitated decades later, naturally it was spewed across the page as a spy spoof. Too many people have told me that it’s spit-your-coffee funny for me not to tell you that it’s spit-your-coffee funny.

 

A Round-Up of Reviews -- 7 New-ish and Noteworthy Books

BOOK REVIEWS

A round-up of reviews of seven new-ish and noteworthy books. 

Crybaby: Infertility, Illness, and other Things That Were Not the End of the World by Cheryl E. Klein (2022, Brown Paper Press)

Cheryl E. Klein is a "failed perfectionist and successful hypochondriac" who had a hard time accepting that the world would not end when she was unable to have a baby. She writes with humor about things that would leave most people a sobbing puddle. But her self-deprecating, raw honesty is the beauty of the book. If all we saw were her tears, the book would be too impossibly maudlin to struggle through. As a reader, I felt like I understood what she went through as she navigated a series of disasters that brought her to consider the adventure of open adoption.

Plums for Months: Memories of a Wonder-Filled, Neurodivergent Childhood by Zaji Cox (2023, Forest Avenue Press)

Zaji Cox's new memoir is a collection of impressionistic essays about her childhood, living in a 100-year-old house with her single mother and sister. It is intimate, beautiful, and moving.

The Promise of a Normal Life by Rebecca Kaiser Gibson (2023, Arcade Publishing)

This debut novel finds a young Jewish-American woman trying to find her way in 1960s America and Israel. It is a quiet story and the author’s skill as a poet are clear in the lyrical writing. The unnamed narrator describes her slow awakening through a series of vignettes that bounce around in time. From a mismatch of a marriage and other romantic relationship problems, through her struggles with an emotionally distant but domineering mother, the narrator finally comes into her own in the end.

A Story Interrupted by Connie Soper (2022, Airlie Press)

This is Soper's first book of poetry. It is a collection of poems about actual places and experiences, not abstract ideas. Soper writes about Oregon, where she lives, her travels in far flung places, and the feelings and memories these locations inspire.

These are exactly the kind of poems I am drawn to. I like something I can latch onto and relate to when I read poetry, I don't like to feel like the whole thing is going over my head. Soper’s poems hit me just right.

No God Like the Mother by Kesha Ajọsẹ-Fisher (2023, Forest Avenue Press)

The nine stories collected in No God Like the Mother follow the characters from Legos to Paris to the Pacific Northwest. Ajọsẹ-Fisher's emotionally rich stories deal with people in transition, facing hardships and joys. The theme of motherhood -- mothering and being mothered -- runs throughout and pulls the stories together into a beautiful and emotionally satisfying whole.

No God Like the Mother won the Ken Kesey Award For Best Fiction at the Oregon Book Awards.



Prisons Have a Long Memory: Life Inside Oregon's Oldest Prison, edited by Tracy D. Schlapp and Daniel J. Wilson (2022, Bridgeworks Oregon)

Prisons Have a Long Memory is a collection of essays, poems, and memoir written by prisoners at the Oregon State Penitentiary. Editors Schlapp and Wilson started and led a "storytelling" group inside the prison and then worked with an editorial board of adults in custody to compile this collection. The writings were prompted by questions from middle school and high school students affected by the incarceration of their family members. They reflect the difficult internal struggle to atone, find peace, and create community.



Blood and Iron: The Rise and Fall of the German Empire, 1871-1918 by Katja Hoyer, new from Pegasus Books.

Prior to 1871, Germany was not a unified nation but 39 separate states, including Prussia, Bavaria, and the Rhineland. In her new book, Blood and Iron, German-British historian Katja Hoyer tells the story of how a German Empire, united under Otto von Bismarck, rose to power only to face crippling defeat in the First World War. It is a thoroughly researched, lively written account of five decades that changed the course of modern history.

Painting Through the Dark by Gemma Whelan -- BOOK REVIEW

BOOK REVIEW

Painting Through the Dark by Gemma Whelan (2022, Shangana Press)

Painting Through the Dark is the story of a young woman, Ashling O'Leary, who is determined to leave Ireland and her demons behind and make a life for herself as an artist in San Francisco. In writing this engaging novel, Irish-born author Gemma Whelan drew on her own experiences from when she arrived in the U.S. several decades ago at the age of 21, with no contacts and little money.

Whelan describes San Francisco in such detail the city is like a character in the story. The bay, the hills, the cable cars, the architecture, and the neighborhoods all create a living background to Ashling’s coming-of-age story. Set in the 1980s, the city represents the freedom and artistic outlook Ashling seeks.

Although her living situation is difficult and exploitive, Ashling is tough. Rebelling against the secrecy and silence of her upbringing in Ireland, Ashling uses art to express herself emotionally through color and texture. And Whelan uses Ashling’s story to explore themes of resilience, independence, and creativity.

The book is a page-turner, filled with vividly visual scenes and dialog that make the story speed along. I read it straight through to find out what happened to Ashling!

FROM THE PUBLISHER'S DESCRIPTION

Fleeing from the emotional shackles of her family in Ireland and the convent where she was training to be a nun, the feisty 21-year-old Ashling O’Leary arrives in San Francisco in 1982 with a backpack, a judo outfit, her artist’s portfolio, a three-month visa, and a determination to find a way to speak up about the abuse of girls and women in Catholic Ireland. As she becomes embroiled in a whirlwind of love, art, and deception, Ashling learns that her success as an artist and a human being depends on dealing with the ghosts of her past and speaking out on behalf of others.

ABOUT THE AUTHOR

Gemma Whelan is an award-winning director, screenwriter, and educator. As an Irish immigrant to the U.S., her perspective crosses the boundaries between cultures, and as an artist, she gives expression to stories that have been suppressed. Gemma was the founding Artistic Director of Wilde Irish Productions in the San Francisco Bay Area and of Corrib Theatre in Portland, Oregon. She has been directing and teaching at universities and conservatories in the U.S, Ireland, and Asia for over 35 years. Her novels are Fiona: Stolen Child and Painting Through the Dark. She lives in Portland, Oregon.

Read my interview of Gemma here.