Saturday, October 30, 2010

Review of the Day: Origin



Origin is an emotional, atmospheric mystery set in the icy winter of Syracuse, New York. Crime lab technician Lena Dawson has an intuition for danger – and a keen sense of smell – that take her out of the fingerprint lab and to the heart of a series of mysterious baby deaths.

Lena’s talents, which she attributes to her incredibly unusual infant upbringing, brought her public acclaim in a prior case, but also earned the enmity and mistrust of several co-workers. She must battle office resistance as well as baffling circumstances to find the connection among the dead babies and solve what she knows are murders. But to do so, she must also find, and face, the answers about her own past.

This is Diana Abu-Jaber’s fourth book, but her first mystery, and she combines the best of literary fiction and genre writing. The plotting and pace of the mystery are very good, but Abu-Jaber does not stint on developing deeper, underlying ideas about personal identity, isolation, and dependency.

This is an all-around great book for any reader looking for a mystery with meat on the bones.


OTHER REVIEWS

(If you would like your review of this book listed here, please leave a comment with a link and I will add it.)

NOTES

Diana Abu-Jaber is the author of two earlier novels, Arabian Jazz and Crescent, and a memoir called The Language of Baklava. She was born in Syracuse, New York, and now lives in Portland, where she teaches at Portland State University.

Friday, October 29, 2010

Opening Sentence of the Day: The Sea, the Sea



"The sea which lies before me as I write glows rather than sparkles in the bland May sunshine."

-- The Sea, the Sea by Iris Murdoch, a novel about an aging playwright/director/actor who retires to the North Sea coast of England.

This won the Booker prize in 1978. I am reading it for my  Battle of the Prizes, British Version challenge. It will also count as one of my Chunkster Challenge reads.




Book Beginnings on Friday is a weekly Opening Sentence event now hosted by Katy at A Few More Pages

Thursday, October 28, 2010

Review of the Day: A Geography of Secrets




Although called a novel, A Geography of Secrets by Frederick Reuss is really two separate novellas with common themes. The stories twine around each other but never really connect. Both are enticing character studies, with layered ideas about family, marriage, friendship, and responsibility.

The first story concerns an unnamed mapmaker seeking to discover the secrets of his father’s professional history. He delves into government archives and travels to Switzerland to learn if his father was a CIA operative undercover in the diplomatic corps. His search takes a personal turn that leads to a melancholy ending.

The second story follows a government defense analyst, Noel Leonard, facing  demons after his error causes the bombing of a school in Afghanistan. Wrestling with his conscience, but unable to discuss the situation honestly with his wife, supervisors, or his priest, Leonard’s marriage and career break under the strain. Whether they can be repaired is left uncertain in the end – which readers may find either tantalizingly or frustratingly ambiguous.

Comparisons to Graham Greene are justified as Reuss captures a similar sense of moody isolation and human frailty. His writing is elegant without getting in the way of the ideas. Some of his descriptions are particularly captivating:

I felt a pang of shame for the seedy atmosphere that had overtaken the room. . . . It was also Nicole, distraughtly puffing away at her cigarettes, the disorder of the apartment, the dreary winter weather, the shabbiness of lives foreshortened by cocktails and weltschmerz.

That is terrific. "Lives foreshortened by cocktails and weltschmerz" is a novel in itself.

Some readers may be disappointed with the soft landing of the ending, or that the two stories remain separate. But for the writing and the levels of insight plumbed in the stories, the book is well worth reading.


OTHER REVIEWS
(If you would like your review of this book listed here, please leave a comment with a link and I will add it.)

Wednesday, October 27, 2010

Author Interview: Steve Anderson



Steve Anderson is a Portland-based author whose historical espionage thriller The Losing Role is available on Amazon Kindle, iBooks, and other e-readers. His earlier novels, False Refuge and Besserwisser are also available. He describes his books as crossing the genres of mystery, crime, historical, noir, espionage, war, and humor.



Steve has worked in advertising, marketing, and journalism with the Associated Press. He’s been a Fulbright Fellow, a language instructor, a waiter, and a freelance copywriter. Steve is also a screenwriter and has had short stories published online and in print. He’s a big soccer fan. He’s traveled a lot and lived in Germany but now lives with his wife René here in his hometown of Portland.

It is always interesting to talk with authors about their books and get their take on writing and publishing.  Steve generously shared his answers about his work and inspirations, marketing in the internet age, e-books, and the life of a writer:


Your novels are often set in a volatile period, such as WWII. What draws you to that type of story?

Periods and settings in turmoil are fertile ground. I'm always drawn to characters who are stuck between two worlds and in over their heads with a plan that's doomed to fail, but they stick with it anyway. They often don’t know exactly what they’re doing, but they believe in making the effort. That is the main character in all my books, really -- you just made me realize that.

My books tend to involve some overlooked historical theme. I like researching and using historical detail when it serves the story (but not too much), and some sort of duplicity often in the form of espionage or crime. I like setting up a clear sense of place for the reader. And there has to be loss. For a story to be good, for a character to gain something, something also has to be lost. It’s sad but true and I like realism. There’s truth there, if you can find it.

What have you learned from self-publishing e-books that you think is the most valuable lesson? What surprised you the most?

It’s a different trajectory compared to what I know about a print book release from a publisher. There’s not necessarily a clear window of marketing opportunity. It’s a long game. You have to be patient. As far as getting reviews from established reviewers, there are just some places you can’t be because you don’t have the physical book they require, and even when you do, any self-publisher of a print book will tell you it’s tough to get a review.

At first I just wanted to free my books from the drawer. Then it became this revelation -- I felt this huge weight lift off me. I quit worrying about if my agent was going to find a home for the one book. I also learned that many readers don’t know or care what publisher you’re with -- they’re just looking for a good read at a good price. I used to think I wasn’t legit until I was with some so-called legit publisher, but recently? I could give a rip. I’m doing my thing, I’m already happy enough, so whatever comes from that will come. Once I realized that, it was liberating.

It wasn’t necessarily a surprise, but it was nice to find out that if you get it out there and participate, readers will find you and get what you’re doing. I'm not talking about sales; mine are steady, though minor. A well-written reader review is the best thing.

What do you do to promote your books? Do you use social networking sites or other internet resources? 

This is the big challenge. Marketing myself or my books doesn't come naturally to me. For e-books, there are only so many options. I try to keep it simple. I go on message boards for readers, do some price promotions and announce when Amazon discounts my titles. I have a website but it’s more to provide info; I don’t have time to blog. I’m on Facebook and Twitter of course, which is kind of like baby-blogging, but I don't do a lot of it. I like Goodreads for the conversation. It definitely feels more natural when I'm simply taking part in a conversation and not hawking my books too directly.

I probably spend as much time weighing what strategies don’t really pay off for the time and effort. Plus, I think it depends on the genres you’re in -- some currently lend themselves better to promotion than others. My books cross genres -- mystery, crime, historical, noir, espionage, war, humor -- and where the ideal readers are isn’t always clear, at least not to me. But that will come as more start e-reading.

Any tips or hints for authors considering bringing out their own self-published books?

Be patient and work on your writing. Especially for fiction. There’s an urge to get it out there now, and that’s hard to resist. Resist it! Especially if you’re new. It takes years of writing for most to become a pro. It chooses you, and it’s brutal actually doing it -- just you alone in a room plodding along. You have to love the writing and rewriting and the rewriting again and again. That’s where the best stuff comes out.

Do you read e-books? What about self-published e-books?

I read more e-books now than print books and don’t really miss the feel of a print book like I thought I would. I use the iPhone Kindle app mostly for reading and always have books with me. I should be reading more self-published books and intend to. I have a virtual stack of them but my to-be-read list is huge. From the ones I’ve read, I can see that there’s a huge spectrum of quality -- but then look at any books from big publishers and you see the same thing.

Who are your three (or four or five) favorite authors?

This is tough. Graham Greene, John Le Carré. Alan Furst for the historical detail. Charles McCarry for the craft. Elmore Leonard for the humor. Patricia Highsmith, Martin Cruz Smith, John Steinbeck, Kingsley Amis. That’s already too many, isn’t it? It’s often whoever I’m reading at the moment and like. Philip Kerr and Rebecca Cantrell recently. Okay, I'll stop.

What are you reading now?

I just finished a novel called Black Out by John Lawton, an American who lived in Britain for years. It’s set in wartime London, about a detective tracking down a murderer and mixing it up with Yanks, emigrés and the corrupt. He nails the British stuff but Americans too in a way only an American could. Right down my alley. Just started Crusader’s Cross by James Lee Burke, a writer who proves some of the best writers period are writing in the so-called genres.

What’s next? Are you working on your next book?

I’m going to put out The Losing Role as a print book. I’ve started drafting a new novel set in the current day, about a writer from Portland who turns FBI informant to investigate an estranged friend who’s leading a militia movement in rural Oregon. It’s based on a screenplay I wrote. It explores the changing Northwest and the urban-rural split. It’s a shift in direction for me, returning home so to speak. I’m enjoying it. Now, I just need to find the time for it.

How many books have you written? Do you have a favorite?

The PR never tells you that most so-called first-time authors wrote many manuscripts before that first novel is published. So, yeah, I’ve probably written about 6-7 total, a couple reworked into something else. My favorites are probably The Liberator, which is from my real first manuscript (started years ago as Reparation) and the one my agent’s trying to find a publisher for. I have a soft spot for Besserwisser: A Novel, because I tried something different by going with humor -- doing subtle funny and keeping it going was the hardest writing ever.



What is the best thing about being a writer?

There are so many things. Being my own boss, working at home, and connecting with readers, more recently. But it really goes back to creating stories that start to take on a life of their own. When you’re humming along, and you’ve put the work into shaping a character, and that character wants to do things -- has to do things -- through your fingers. That’s an amazing feeling. Not to sound spiritual (I’m definitely not that), but it’s like you’re channeling something, someone. Maybe the best thing is knowing what I want. This is what I do. I have to do it. It's a pain in the ass sometimes but it makes me feel alive.

Tuesday, October 26, 2010

Teaser Tuesday: Let the Great World Spin



"A violent gust or even a sudden change in temperature would force the buildings to sway and the wire could tighten and bounce. . . . If he was on it, he would have to ride out the bounce or else he'd go flying."

-- Let the Great World Spin by Colum McCann.

I am halfway through this and am enjoying it, although maybe not as much as I had hoped to.

My favorite parts are those about Philippe Petit on the tightrope between the Twin Towers. The documentary about him, Man on Wire, knocked me off my pins.


Teaser Tuesdays is hosted by Should Be Reading, where you can find the official rules for this weekly event.



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